Discworld: Industrial Revolution

Cameras roll, for the first time, on the Discworld when alchemists discover the excitement of the silver screen. But what is the dark secret of Holy Wood hill? As the clichés of Tinsel Town pour into the world, it's up to the Disc's first film stars to find out. Join Victor Tugelbend and Theda Withel as they battle the forces of evil and cinema advertising. They're about to discover that the magic of the silver screen might be powerful enough to put an end to, well, everything.

William de Worde is the accidental editor of the Discworld's first newspaper. Now he must cope with the traditional perils of a journalist's life - people who want him dead, a recovering vampire with a suicidal fascination for flash photography, some more people who want him dead in a different way and, worst of all, the man who keeps begging him to publish pictures of his humorously shaped potatoes.

War has come to Discworld...again. And, to no one's great surprise, the conflict centers around the small, insufferably arrogant, strictly fundamentalist duchy of Borogravia, which has long prided itself on its ability to beat up on its neighbors. This time, however, it's Borogravia that's getting its long-overdue comeuppance, which has left the country severely drained of young men.

Women belong in the kitchen - everyone knows that. Not in jobs, pubs or indeed trousers, and certainly not on the front line. Nonetheless, Polly Perks has to become a boy in a hurry if she wants to find her missing brother in the army. Cutting off her hair and wearing the trousers is easy. Learning to fart and belch in public and walk like an ape takes more time. There's a war on. There's always a war on, and Polly and her fellow raw recruits are suddenly in the thick of it. All they have on their side is the most artful sergeant in the army and a vampire with a lust for coffee.

Arch-swindler Moist von Lipwig never believed his crimes were hanging offenses, until he found himself with a noose around his neck, dropping through a trap door, and falling into...a government job? Getting the moribund Postal Service up and running again, however, may be an impossible task. Worse, the new Postmaster could swear the mail is talking to him.

Moist von Lipwig is a con artist and a fraud and a man faced with a life choice: be hanged, or put the ailing postal service of Ankh-Morpork back on its feet. It's a tough decision. The post is a creaking old institution, overshadowed by new technology. But there are people who still believe in it and Moist must become one of them if he's going to see that the mail gets through, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, an evil chairman...and a midnight killer. Getting a date with Adora Bell Dearheart would be nice, too.

The Ankh-Morpork Post Office is running like...well, not at all like a government office. The mail is delivered promptly. Postmaster General Moist von Lipwig, former arch-swindler and confidence man, has exceeded all expectations - including his own. So it's somewhat disconcerting when Lord Vetinari summons Moist to the palace and asks, "Tell me, Mr. Lipwig, would you like to make some real money?"

The Royal Bank is facing a crisis, and it's time for a change of management. There are a few problems that may arise with the job.... The Chief Cashier is almost certainly a vampire - there's something nameless in the cellar and it turns out that the Royal Mint runs at a loss. Meanwhile, people actually want to know where the money's gone. It's a job for life. But, as former con-man Moist von Lipwig is learning, that life is not necessarily a long one. He's about to be exposed as a fraud, but if he's lucky the Assassins' Guild might get him first.

Change is in the air for Moist von Lipwig, swindler, con-man and (naturally) head of the Royal Bank and Post Office. A steaming, clanging new invention - a steam locomotive named Iron Girder, to be precise - is drawing astonished crowds. Suddenly it's a matter of national importance that the trains run on time. Moist does not enjoy hard work. His input at the bank and post office consists mainly of words, which are not that heavy. Or greasy. And it certainly doesn't involve rickety bridges, runaway cheeses or a fat controller with knuckledusters.