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It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years.

The first time Joe plays Percy one of his songs in his college room in 2000, she instantly realises three things: One, she is watching a star in the making. Two, she can shape his music into something extraordinary. Three, she will always be on the sidelines. She swallows her jealousy and throws herself into collaboration, transforming Joe’s songs into indie hits with her blistering critiques. But there’s an undercurrent to the music they’re making – something undeniably electric, hurtling toward love. And then, almost inevitably, towards heartbreak.