Résultats lu par "Lucy Rayner" dans Toutes les catégories

A woman in the British Horticultural Society! The very idea horrifies everyone, including ardent horticulturalist Lavinia Harlow, whose own name has been put forth for membership by the provoking Marquess of Huntly. He does it as a joke, of course, to get back at her for an imagined slight - well, to be fair, she had insulted his writing -and Vinnie, older sister to the infamous Harlow Hoyden, is far too sensible to rise to his ridiculous challenge. Determined to head off further scandal, Vinnie dashes off a polite note refusing the honor - which she has every intention of sending.

Miss Emma Harlow hasn't earned the reputation as a hoyden for nothing, so when the duke of Trent discovers her in his conservatory stealing one of his orchids, he isn't surprised - charmed, delighted and puzzled, yes, but not surprised. It is Emma who is amazed. But her vexation doesn't last long. For Emma is a practical young lady with a mission: to end her dear sister Lavinia's engagement to the villainous (and dreadfully dull!) Sir Waldo Windbourne, and she thinks that the famous libertine is just the man for the job.

No, no, no! It doesn't matter how many times the Duchess of Trent (The Harlow Hoyden) requests her help with a delicate matter regarding a patent for her sister's invention, Tuppence Templeton will not lend a hand. She has a habit, yes, of coming up with ingenious plans to solve other people's problems, and it is true that she's clever and daring enough to pull off the proposed scheme. But there's no way she's going to confront the arrogant and dismissive Earl of Gage again.

If you could change your fate, would you? Merida understands that as princess of Clan DunBroch, she has certain obligations—but that doesn’t mean she has to like it. Especially when one of those obligations means losing her freedom by becoming betrothed to a man she has never met. Merida balks at this tradition, but her mother Queen Elinor insists that Merida must do this to embrace her role as future queen.

England 1801: Lady Louisa, daughter to the Earl of Whickerton, never thought she would ever have reason enough to hate anyone; especially not Phineas Hawke, Viscount Barrington, the man with the most wickedly dark eyes she has ever seen. Louisa is suddenly forced to realize that the man she could easily have lost her heart to has discovered her most shameful secret. Anger settles in her heart, burying all tender emotions, as she tries her utmost to ignore him. That is easier said than done.

When Victoria was born, in 1819, the world was a very different place. Revolution would threaten many of Europe’s monarchies in the coming decades. In Britain, a generation of royals had indulged their whims at the public’s expense, and republican sentiment was growing. The Industrial Revolution was transforming the landscape, and the British Empire was commanding ever larger tracts of the globe. In a world where women were often powerless, during a century roiling with change, Victoria went on to rule the most powerful country on earth with a decisive hand.

Beautiful and feisty Henrietta Barrett has never followed the dictates of society. She manages her elderly guardian's estate, prefers to wear breeches rather than dresses, and answers to the unlikely name of Henry. But when her guardian passes away, her beloved home falls into the hands of a distant cousin. William Dunford, London's most elusive bachelor, is stunned to learn that he's inherited property, a title, and a ward bent on making his first visit his last.

When a suitor tells Arabella he's willing to overlook her appalling bluestocking tendencies on account of her looks and fortune, she decides to take a break from the Marriage Mart. During an extended stay in the country, she never expects to meet Lord John Blackwood, a wounded war hero who intrigues her like no other man.

American heiress Emma Dunster has always been fun-loving and independent, with no wish to settle into marriage. She plans to enjoy her Season in London in more unconventional ways than husband hunting. But this time Emma's high jinks lead her into dangerous temptation. Alexander Ridgely, the Duke of Ashbourne, is a notorious rake who carefully avoids the risk of love until he plants one reckless kiss on the sensuous lips of this high-spirited innocent and condemns himself to delicious torment.

In the late 1920s in England, the Honorable Daisy Dalrymple Fletcher is recruited to help her cousin Edgar - i.e. the Lord Dalrymple. About to turn 50, Lord Dalrymple decides it is time to find out who would be the heir to the viscountcy. With the help of the family lawyer, who advertises Empire-wide, they have come up with four potential claimants. For his fiftieth birthday, Edgar invites those would-be heirs - with Daisy and the rest of the family - to Fairacres, the family estate.

England 1802: Lady Leonora, daughter to the Earl of Whickerton, longs to understand...the world in its entirety, particularly, human nature. Always observing those around her, Leonora finds herself utterly fascinated by what people say and do, by how their eyes reflect what is in their hearts and how each and every emotion can be read upon another's face.

February 1816: A race through the icy, twisting cobblestone streets of London ends inside an abandoned church - and a horrific discovery. Bow Street Runner Sam Kelly is called to investigate the grisly murder of Sir Giles Holbrooke, who was left naked and garroted, with his tongue cut out. Yet it becomes even stranger when symbols that resemble crosses mysteriously begin to appear across the dead man's flesh during autopsy. Sam turns to the one person in the kingdom who he believes can solve the bizarre murder - the Duke of Aldridge's odd but brilliant ward, Kendra Donovan.

Earning the nickname Lady Agony was no minor achievement for Lady Agatha Bolingbroke. It required a great deal of effort to make herself so disagreeable, but she did it for a good cause: The fewer invitations she received, the more time she had to paint. Her mother, refusing to accept an unpopular daughter - or, worse, a talented one - insists on dragging her to every event of the season. To thwart her parents and to vent her frustration, Agatha creates a wicked alter ego: a caricaturist whose mocking illustrations take ruthless aim at the ridiculousness of the ton.

In England in the late 1920s, the Honourable Daisy Dalrymple Fletcher, on a convalescent trip to the countryside, goes to visit three old school friends in the area. Daisy and her husband Alec - Detective Chief Inspector Alec Fletcher, of Scotland Yard - go for a Sunday lunch with Daisy’s friends, where one of the women mentions a wine cellar below their house, which remains curiously locked, no key to be found. Alec offers to pick the lock, but when he opens the door, what greets them is not a cache of wine but the stench of a long-dead body.

Since they were children, cousins Kate and Cecelia have been inseparable. But in 1817, as they approach adulthood, their families force them to spend a summer apart. As Cecelia fights boredom in her small country town, Kate visits London to mingle with the brightest lights of English society. At the initiation of a powerful magician into the Royal College of Wizards, Kate finds herself alone with a mysterious witch who offers her a sip from a chocolate pot.

Kate and Cecy and their new husbands, Thomas and James, are off on a Grand Tour. Their plans? To leisurely travel about the Continent, take in a few antiquities, and - of course - purchase fabulous Parisian wardrobes. But once they arrive in France, mysterious things start to happen. Cecy receives a package containing a lost coronation treasure, Thomas's valet is assaulted, and Kate loses a glove. Soon it becomes clear that they have stumbled upon a dastardly, magical plot to take over Europe.

It's been a decade since Kate and Cecelia foiled Napoleon's plot to reclaim the French crown. The cousins now have estates, children, and a place at the height of wizarding society. It is 1828, and though magic remains at the heart of the British Empire, a new power has begun to make itself felt across England: the steam engine. As iron tracks crisscross the countryside, the shaking of the locomotives begins to disrupt the workings of English magic, threatening the very foundations of the Empire.

When Sylvia looks out her bedroom window at night and sees a child face down in the pond next door, she races into her neighbor's garden. But the pond is empty, and no one is answering the door. Wondering if night feeds and sleep deprivation are getting to her, she hurriedly retreats. Then Sylvia's little daughter wakes one night, screaming that there's a man in her room. This is followed by a series of bizarre disturbances in the house. Sylvia's husband insists it's all in her mind, but she is certain it's not - there's something very wrong on the other side of the wall.

Gil Truman has eyes only for the beautiful Tilly - until he is forced to marry plain, sickly Rose Davenport to reclaim the lands his father foolishly gambled away. After a disastrous wedding night tainted with his bitterness, he deposits Rose at his remote, Northumbrian estate, soothing his guilt with the thought that she need never lay eyes on him again. Five years after the mortifying wedding night that destroyed all her romantic fantasies, Rose is fed up with hearing second - and third - hand reports of Gil's philandering ways. She is no longer the shy, homely girl he left behind.

This audiobook presents a fundamental reinterpretation of changes to crime control in the age of the new police. It breaks new ground by providing a highly detailed, empirical analysis of everyday crime control in Victorian provincial cities - revealing the tremendous activity that ordinary people displayed in responding to crime - alongside a rich survey of police organization and policing in practice.