Résultats lu par "Grahame Edwards" dans Toutes les catégories

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

Set in the fictional African village of Kosawa, How Beautiful We Were tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made-and ignored. The country's government, led by a brazen dictator, exists to serve its own interest only. Left with few choices, the people of Kosawa decide to fight back.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.

The Ottoman Empire has long exerted a strong pull on Western minds and hearts. For over 600 years the empire swelled and declined, rising from a dusty fiefdom in the foothills of Anatolia to a power which ruled over the Danube and the Euphrates with the richest court in Europe. But its decline was prodigious, protracted and total.

The original version of LATW’s groundbreaking docudrama about the Pentagon Papers, the infamous classified documents about US involvement in the Vietnam War, and how The Washington Post fought the government to publish them. Includes a 1991 panel discussion with journalists Ben Bradlee, Peter Braestrup, Robert Maynard, Carla Robbins, Robert Scheer, and George Wilson.

When Lucien flees Haiti with his wife, Marie-Ange, and their three children to New York City’s South Ozone Park, he does so hoping for reinvention, wealth, and comfort. He buys a run-down house in a quickly changing community, and begins life anew. Lucien and Marie-Ange call their home La Kay—“my mother’s house”—and it becomes a place where their fellow immigrants can find peace, a good meal, and necessary legal help.

Welcome to the Poppy Fields, where there’s hope for even the most battered hearts to heal. Here, in a remote stretch of the California desert, lies an experimental and controversial treatment center that allows those suffering from the heartache of loss to sleep through their pain...and keep on sleeping. After patients awaken from this prolonged state of slumber, they will finally be healed. But only if they’re willing to accept the potential shadowy side effects. On a journey to this mystical destination are four very different strangers and one little dog.

First broadcast on the BBC Home Service, We’re in Business ran for two series between 1959 and 1960. It starred Peter Jones as dodgy small-time businessman Dudley Grosvenor, who’s always looking to make a fast buck with his crooked schemes – usually at the expense of his hapless sidekick, Harry (Harry Worth). Dudley spends his life lurching from one crisis to another, secure in the belief that “it might never happen" – but when it inevitably does, both men end up in a fix…

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.