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Luca Laine Thomas lives on a cursed island. To the outside world, Parris is an exclusive, idyllic escape accessible only to the one percent. There’s nothing idyllic about its history, though, scattered with the unsolved deaths of young women—deaths Parris society happily ignores to maintain its polished veneer. But Luca can’t ignore them. Not when the curse that took them killed her best friend, Polly, three years ago. Not when she feels the curse lingering nearby, ready to take her next. When Luca comes home to police cars outside her house, she knows the curse has visited once again.

For the past five decades Ms. has been the nation’s most influential source of feminist ideas, and it remains at the forefront of feminism today, affecting thought and culture with a younger-than-ever readership (ages 16-20!). Here are essays, profiles, conversations with and features by: Alice Walker, Cynthia Enloe, Pauli Murray, Nancy Pelosi, bell hooks, Eleanor Holmes Norton, Brittney Cooper, and Joy Harjo, as well as fiction and poetry by Toni Morrison, Joyce Carol Oates, Adrienne Rich, Rita Dove, and Sharon Olds, and many others.

A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today. Long before the colonization of North America, Indigenous Americans built diverse civilizations and adapted to a changing world in ways that reverberated globally. And, as award-winning historian Kathleen DuVal vividly recounts, when Europeans did arrive, no civilization came to a halt because of a few wandering explorers, even when the strangers came well armed.

In 1872, sixteen-year-old Goes First, a Crow Native woman, marries Abe Farwell, a white fur trader. He gives her the name Mary, and they set off on the long trip to his trading post in the Cypress Hills of Saskatchewan, Canada. Along the way, she finds a fast friend in a Métis named Jeannie; makes a lifelong enemy in a wolfer named Stiller; and despite learning a dark secret of Farwell’s past, falls in love with her husband.

A collection of the year’s best short stories, selected by Pulitzer Prize winner Andrew Sean Greer and series editor Heidi Pitlor.

Give Canada's Master Warrant Officer Jenny Casey an inch and she'll take a galaxy. That's just the kind of person a world on the brink of destruction needs. The year is 2063, and Earth has been brutalized. An asteroid flung at Toronto by the PanChinese government has killed tens of millions and left the equivalent of a nuclear explosion in its wake. Humanity must find another option . . .

Fairy tales have been spun for thousands of years and remain among our most treasured stories. Weaving fresh tales with unexpected reimaginings, At Midnight brings together a diverse group of celebrated YA writers to breathe new life into a storied tradition.

The year is 2062, and after years on the run, Jenny Casey is back in the Canadian armed forces. Those who were once her enemies are now her allies, and at fifty, she's been handpicked for the most important mission of her life—a mission for which her artificially reconstructed body is perfectly suited. With the earth capable of sustaining life for just another century, Jenny—as pilot of the starship Montreal—must discover brave new worlds. And with time running out, she must succeed where others have failed.

Once Jenny Casey was somebody's daughter. Once she was somebody's enemy. Now the former Canadian special forces warrior lives on the hellish streets of Hartford, Connecticut, in the year 2062. Racked with pain, hiding from the government she served, running with a crime lord so she can save a life or two, Jenny is a month shy of fifty, and her artificially reconstructed body has started to unravel. But she is far from forgotten. A government scientist needs the perfect subject for a high-stakes project and has Jenny in his sights.

A young Aztec girl tells her little brother how their parents create beautiful painted manuscripts, or codices. She explains to him how paper is made from local plants and how the long paper is folded into a book. Her parents and others paint the codices to tell the story of their people’s way of life. Inspired by the pre-Columbian codices, this story tells how the Aztec and their neighbors in the Valley of Mexico painted books and records long before Columbus arrived, and continued doing so among their Nahua-speaking descendants for generations after.

Growing up with a kind but alcoholic father and a suspicious, passive-aggressive mother, the Bernal sisters each developed their own way of coping: Dulcina had her art and drugs and alcohol, Claudia plunged into her studies and fled to Princeton, and Maritza watched one Disney movie after another in between devouring romance novels. Now all grown up, the sisters are reunited at last for Maritza’s dream wedding. With all three Bernal sisters back in their East L.A. home, each begins to take steps to come to terms with each other, their parents, and secrets from their shared past.

The tight-knit Izquierdo family is grappling with misfortunes none of them can explain. Their beloved patriarch has suffered from an emotional collapse and is dying; eldest son Gonzalo’s marriage is falling apart as he tries to care for his father; daughter Dina, beleaguered by fear that her nightmares are real, is a shut-in. When Gonzalo digs up a strange object in the backyard of the family home, the Izquierdos take it as proof that a jealous neighbor has cursed them―could this be the reason for all their troubles?

In a world with an uncertain future, do you imagine for the best or for the worst case scenario? Twelve writers tackle extreme solarpunk utopias and apocalyptic or political dystopias—and the gray areas in between—in Biketopia, the fourth volume of the Bikes in Space series of feminist science fiction stories about bicycling. Some find love and fierce resistance in the end times; others imagine an ecological future of saving technology, with solarpunk ecotopian visions, at times paired with crushing social control.

From a simple robbery gone horribly wrong to a grisly murder in a secret love dungeon, this stellar collection of crime fiction short stories showcases some of today's finest voices of color. Edited by Wall Street Journal best-selling author Abby L. Vandiver, this thrilling anthology will keep you on the edge of your seat. Includes "Midnight Escapade" by Jennifer Chow, "Lucky Thirteen" by Tracy Clark, "Murderers' Feast" by H.C. Chan, "In the Matter of Mabel and Bobby Jefferson" by Christopher Chambers, and many more.

Luca Laine Thomas lives in Parris, the beautiful island plagued by the unsolved deaths of young women—most significantly, Luca's best friend. All Luca wants is to heal from the traumatic loss and leave her feelings of guilt and helplessness behind. Then Luca comes home to find the police at her house. Her sister, Whitney, is dead. Luca and Naomi, the new girl next door, decide to take the investigation into their own hands, and along the way, their connection deepens.

April 1910. Women's rights activist Alvera Fields mysteriously vanishes from her home one night, leaving her newborn baby and husband behind, and the case is never solved.

Our Red Book takes us through stories of first periods, last periods, missing periods, and everything about bleeding that people wish they had been told. Weaving together powerful voices—from teenagers, midwives, Indigenous scholars, Olympic athletes, incarcerated writers, disoriented fathers, elected leaders who fought to make period products free, friends transitioning genders, grandmothers, and lovers—the book invites us on a collective journey of growth and change, with Rachel’s own voice as a guide.

Few in sleepy Sumner’s Mills have stumbled across the Octagon House hidden deep in the woods. Even fewer are brave enough to trespass. A man had killed his wife and two young daughters there, a shocking, gruesome crime that the sleepy upstate New York town tried to bury. One summer night, an emboldened fourteen-year-old Clare and her best friend, Abby, ventured into the Octagon House. Clare came out, but a piece of Abby never did. Twenty years later, Clare receives word that Abby has attempted suicide at the Octagon House and now lies in a coma.

Kate Burns grows up wanting attention from her Ma, but her Ma wants only money and Kate learns how to get both. She and her childhood friend, Lacey, run kissing lessons for cash in the janitor’s closet of Fenbrook High, and just like that, they find themselves in the sex work industry. From there, they go on to work at The Purple Panther, a strip club in Auckland. When Ma dies of cancer, Kate discovers that the men her Ma was always inviting over to their home were, in fact, clients. Ma was no stranger to sex work either.

Baking is Isabeau Collins’s life. Back from studying under the finest chefs in France and Italy, and with a newly minted culinary degree in hand, Izzy is ready to pursue her dream: whipping up creative confections in her own custom cake shop. But her perfect plans are waylaid when two women claiming to be her half sisters show up with a stack of letters addressed to Izzy from their late mother. Torn between launching her career and the need to learn more about her family history, Izzy makes the decision to go to Colorado to connect with the sisters she’s never known.