Résultats de "Willa Cather" dans Toutes les catégories

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.

Presented here is Volume III of our Feminist Literary Classics series, featuring three of the most important feminist novels ever written: Orlando: A Biography by Virginia Woolf, O Pioneers! by Willa Cather and So Big by Edna Ferber. The first book in this collection is Orlando: A Biography, a groundbreaking English novel by Virginia Woolf that explores English history, gender roles and sexual politics in a way few books have before or since.

A great new collection of classic short fiction, brilliantly read by a selection of narrators. Includes the following stories: "The Lightening-Rod Man" by Herman Melville, "One of the Missing" by Ambrose Bierce, "The Leopard Man's Story" by Jack London, "Tennessee's Partner" by Bret Harte, "The New Catacomb" by Sir Arthur Conan Doyle, "A Pair of Silk Stockings" by Kate Chopin, "My Watch" and "The Widow's Protest" by Mark Twain, "An Ideal Family" by Kate Mansfield, "A Painful Case" by James Joyce, "Small Fry" by Anton Chekhov, and more!

Christmas may come but once a year but human emotions, the driving force of our characters, are with us every day. Yet, somehow these same emotions when they happen at Christmas seem amplified; we seem more tender to their touch, their words. Whether it’s a long-lost returning soldier wondering how best to return to the arms of his family without too great a risk of shock... Or a prodigal son whose taken path has driven pain into his own and others hearts… These stories reveal much about the human condition.

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The first part of Willa Cather’s Great Plains trilogy, O Pioneers! follows the tragedies and triumphs of Alexandra Bergson, a strong and independent young woman who inherits the family farm following the death of her father.

Published in 1915 and set in the 1890s, The Song of the Lark tells the story of Thea Kronberg, a gifted young singer who blazes her way into the world’s greatest opera houses. Thea’s arduous journey begins in Moonstone, Colorado, a burgeoning Western town, where she is one of seven children. Following an artistic awakening at an Arizona canyon, she eventually finds fame as an acclaimed opera singer, performing in Germany and at the Metropolitan Opera House in New York.

Mujeres que reclaman su derecho a trabajar en un mundo de hombres, valientes guerreras indias, forajidas del Oeste americano, inmigrantes sin pelos en la lengua, heroínas atrapadas en tenebrosos bosques… Estas son algunas de las protagonistas de La nueva mujer: relatos de escritoras estadounidenses del siglo XIX. Las autoras elegidas por Gloria Fortún para esta antología —mujeres de vanguardia que desafiaron con la pluma y el papel las convenciones sociales— son el símbolo de los anhelos y luchas de una época que asistió al surgimiento del empoderamiento femenino.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Myra Driscoll e il marito Oswald Henshawe fanno ritorno nella natia Parthia, Illinois. La loro storia d'amore è ancora sulle bocche di tutti: Myra, infatti, ha rinunciato ad una cospicua eredità solo per fuggire insieme ad Oswald, sposandolo in gran segreto. Ora, a distanza di anni, Myra inizia a chiedersi quale sia stato, a conti fatti, il valore di quel gesto: emanciparsi dalle opprimenti prospettive famigliari, assaporando la vita come un’avventura, l’ha portata ad una relazione ordinaria, ad una felicità che non ha assolutamente niente di nobile o di eccezionale.

Uno dei racconti più entusiasmanti del pionierismo femminile, da una maestra del racconto. "Gli anni più belli" di Willa Cather, letto da Sandra Toffolatti, montaggio Andrea Giuseppini, voce di apertura di Matteo Anselmo, musica di Klippa Kloppa, gli audiolibri degli Asini sono a cura di Anna Antonelli.

Pubblicato per la prima volta nel 1928, questo racconto fu poi raccolto in "Obscure Destinies". La storia è un raro capolavoro della letteratura americana moderna, una celebrazione della bella vita e delle brave persone.

Uno dei più bei racconti dalla frontiera di Willa Cather. Racconta la vita della vecchia signora Harris e i suoi sacrificio per la sua famiglia, con un profondo viaggio nella compassione, nell'empatia e nell'altruismo. La vecchia signora Harris di Willa Catherletto da Alessandra De Lucamontaggio Andrea Giuseppini, voce di apertura di Matteo Anselmo, musica di Klippa Kloppa, gli audiolibri degli Asini sono a cura di Anna Antonelli.

At the end of the 19th century, fourteen-year-old Ántonia Shimerda has realized the immigrant's dream. She has just arrived in rural Nebraska with her Bohemian (Czech) family at the same time as ten-year-old Jim Burden, an orphan sent to live with his grandparents. While Jim's family is prosperous and steady, the Shimerdas quickly find themselves mired in poverty and struggle to make ends meet. But they live near to each other (by pioneer standards), and the two youngsters become close. Ántonia's warmth belongs to the land and the people who love her. For Jim, Ántonia is home.