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In this extraordinary audiobook, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognise everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with uncanny artistic or mathematical talents. If inconceivably strange, these brilliant tales illuminate what it means to be human.

Oliver Sacks' The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with fantastic perceptual and intellectual aberrations: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; who are stricken with violent tics and grimaces or who shout involuntary obscenities; whose limbs have become alien; who have been dismissed as retarded yet are gifted with uncanny artistic or mathematical talents.

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does - humans are a musical species.

Have you ever seen something that wasn't really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing? Dr Oliver Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organisation and structure of our brains, how they have influenced every culture's folklore and art and why the potential for hallucination is present in us all, a vital part of the human condition.

Oliver Sacks died in August 2015 at his home in Greenwich Village, surrounded by his close friends and family. He was 82. He spent his final days doing what he loved: playing the piano, swimming, enjoying smoked salmon - and writing. As Dr Sacks looked back over his long, adventurous life his final thoughts were of gratitude. In a series of remarkable, beautifully written and uplifting meditations, in Gratitude Dr Sacks reflects on and gives thanks for a life well lived and expresses his thoughts on growing old, facing terminal cancer and reaching the end.

In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the capacity to recognise faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world - and The Mind’s Eye is testament to the myriad ways that we, as humans, are capable of rising to this challenge.

In Uncle Tungsten, Oliver Sacks evokes, with warmth and wit, his upbringing in wartime England. He tells of the large science-steeped family who fostered his early fascination with chemistry. There follow his years at boarding school where, though unhappy, he developed the intellectual curiosity that would shape his later life. And we hear of his return to London, an emotionally bereft 10-year-old who found solace in his passion for learning. Uncle Tungsten radiates all the delight and wonder of a boy’s adventures and is an unforgettable portrait of an extraordinary young mind.

To these seven narratives of neurological disorder Dr. Sacks brings the same humanity, poetic observation, and infectious sense of wonder that are apparent in his bestsellers Awakenings and The Man Who Mistook His Wife for a Hat. These men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality.

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.

As with his previous best seller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world and how we relate to those around us. Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre - patients for whom disorientation and alienation but also adaptation are inescapable facts of life.

In The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience and the arts and calls upon his great scientific and creative heroes - above all, Darwin, Freud and William James. For Sacks these thinkers were constant companions from an early age; the questions they explored - the meaning of evolution, the roots of creativity and the nature of consciousness - lie at the heart of science and of this audiobook.

Una serie di casi clinici che ha lo stesso fascino delle Mille e una notte. Con straordinaria empatia e umanità, Sacks racconta le strane storie di pazienti neurologici che hanno perduto un pezzo della loro vita o una parte costitutiva del sé. Come il musicista che carezza distrattamente gli idranti credendo che siano teste di bambini. O il marinaio che è convinto di vivere nel 1945. Il viaggio di un nuotatore "in acque sconosciute, dove può accadere di dover capovolgere le solite considerazioni, dove la malattia può essere benessere e la normalità malattia."

When Oliver Sacks, a physician by profession, injured his leg while climbing a mountain, he found himself in an unusual position - that of patient. The injury itself was severe but straightforward to fix; the psychological effects, however, were far less easy to predict, explain, or resolve: Sacks experienced paralysis and an inability to perceive his leg as his own, instead seeing it as some kind of alien and inanimate object over which he had no control. A Leg to Stand On is both an account of Sacks’ ordeal and subsequent recovery and an exploration of the ways in which mind and body are inextricably linked.

Imaginative and insightful, Seeing Voices offers a way into a world that is, for many people, alien and unfamiliar - for to be profoundly deaf is not just to live in a world of silence but also to live in a world where the visual is paramount. In this remarkable book, Oliver Sacks explores the consequences of this, including the different ways in which the deaf and the hearing impaired learn to categorise their respective worlds - and how they convey and communicate those experiences to others.

"El hombre que confundió a su mujer con un sombrero" se convirtió inmediatamente en un clásico y consagró a Oliver Sacks como "uno de los grandes escritores clínicos del siglo" (The New York Times). En este audiolibro, Oliver Sacks narra veinte historiales médicos de pacientes perdidos en el mundo extraño y aparentemente irremediable de las enfermedades neurológicas. Se trata de casos de individuos, aquejados por inauditas aberraciones de la percepción que han perdido la memoria, y con ella, la mayor parte de su pasado.

Hailed as a medical classic, and the subject of a major feature film as well as radio and stage plays and various TV documentaries, Awakenings by Oliver Sacks is the extraordinary account of a group of 20 patients. Rendered catatonic by the sleeping-sickness epidemic that swept the world just after the First World War, all 20 had spent 40 years in hospital - motionless and speechless; aware of the world around them but exhibiting no interest in it - until Dr Sacks administered the then-new drug L-DOPA, which caused them, temporarily, to awake from their decades-long slumber.

Oliver Sacks siempre se ha sentido atraído por las islas, esos "experimentos de la naturaleza, lugares benditos y malditos por su singularidad geográfica, que albergan formas de vida únicas". En su última obra, esta fascinación le lleva más lejos que nunca, a las remotas islas del Pacífico, donde concilia su afición a explorar el mundo real con su pasión por investigar el mundo de la mente. En esta ocasión abandona transitoriamente a los individuos y con herramientas no sólo de neurólogo sino también de antropólogo...

Oliver Sacks widmet sich in seinem neuen Werk dem Zusammenhang von visueller Wahrnehmung und Bewusstsein. Es gelingt ihm wieder, komplexe Dinge verständlich zu beschreiben. Das Außergewöhnliche: Sacks schildert, wie er selbst 2005 an einem bösartigen Tumor im Auge erkrankte. Er berichtet vom Leben mit dem Krebs und dem Verlust seiner visuellen Fähigkeiten. Doch er entdeckt auch "positive" Phänomene: milde Illusion, Halluzinationen, Veränderungen in der Wahrnehmung von Farben und Umrissen.

Fra il 1917 e il 1927, una grave epidemia di encefalite letargica (malattia del sonno) colpì quasi cinque milioni di persone. Una minuscola frazione dei malati sopravvisse, in una sorta di perpetuo torpore, fino al 1969, quando un nuovo farmaco, la L-dopa, permise di "risvegliarli". Oliver Sacks, fra il 1969 e il 1972, somministrò questo farmaco a più di duecento malati al Mount Carmel Hospital di New York. "Risvegli" racconta le storie di venti di loro.

In several of the compassionate case histories collected here, Sacks considers for the first time the enigmas of depression, psychosis, and schizophrenia, and in others he returns to conditions that have long fascinated him: Tourette’s syndrome, ageing, dementia and hallucinations. In counterpoint to these elegant investigations of what makes us human, this volume also includes pieces that celebrate Sacks’s love of the natural world – and his last meditations on life in the 21st century. Everything in Its Place gives us an intimate portrait of a master writer and thinker at work.