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The shocking true story of a serial killer in 1930s Melbourne. November, 1930. One sunny Saturday afternoon, 12-year-old Mena Griffiths was playing in the park when she was lured away by an unknown man. Hours later, her strangled body was found, mouth gagged and hands crossed over her chest, in an abandoned house. Only months later, another girl was murdered, the similarities between the cases undeniable. Crime in Melbourne had taken a shocking new turn: this was the work of a serial killer, a homicidal maniac.

Art dealer Alex Clayton and conservator John Porter are thrilled to be previewing the Melbourne International Museum of Art’s (MIMA) newest exhibition, until they witness a museum worker collapse and badly damage a reportedly cursed painting. Belief in the curse is strengthened when MIMA’s senior conservator, Meredith Buchanan, dies less than 24 hours later while repairing the work. But Alex and John are convinced there is a decidedly human element at work in the museum.

Art dealer Alex Clayton travels to Victoria’s Western District to value the McMillan family’s collection. At their historic sheep station, she finds an important and previously unknown colonial painting - and a family fraught with tension. There are arguments about the future of the property and its place in an ancient and highly significant indigenous landscape.

In 1999, art dealer Alex Clayton stumbles across a lost portrait of Molly Dean, an artist’s muse brutally slain in Melbourne in 1930. Alex buys the painting and sets out to uncover more details, but finds there are strange inconsistencies: Molly’s mother seemed unconcerned by her daughter’s violent death, the main suspect was never brought to trial despite compelling evidence and vital records are missing. Alex enlists the help of her close friend, art conservator John Porter, and together they sift through the clues and deceptions that swirl around the last days of Molly Dean.