Résultats de "Clifford D. Simak" dans Toutes les catégories

Jenkins was a robot. He was built to be the perfect worker, tireless and uncomplaining. But, quite unexpectedly, he also became a close companion to generation after generation of his owners as the human race matured, moved beyond the confines of its once tiny planet, and eventually changed beyond all recognition.

In this Hugo Award-winning classic, Enoch Wallace is an ageless hermit, striding across his untended farm as he had done for over a century, still carrying the gun with which he had served in the Civil War. But what his neighbors must never know is that, inside his unchanging house, he meets with a host of unimaginable friends from the farthest stars.

Adventurers journey into the foreboding unknown regions of outer space in these two classic science fiction tales from the Hugo and Nebula Award winning author.

After a disastrous planet-wide war, Earth is nothing more than an elite graveyard—but Fletcher Carson is venturing back in search of a vital bounty. Fletcher, a former artist, is joined by a sentient machine, an ancient, powerful robot, and a treasure-seeking beauty. They soon discover that Earth harbors more than the carefully groomed tombstones. In the wild land beyond the cemetery there are dangerous machines, mutant creatures, and even humans who never left their home planet.

In an alternate Europe where the Roman Empire never fell, the expansive Empty Lands are inhabited by forces known collectively as the Evil. Yet Charles Harcourt is honor-bound to venture into that dangerous area to find his long-lost fiancee. He is joined on his trek by an abbot who hopes to locate a crystal prism that hold the soul of a saint; the non-human Knurly Man, who craves release from his pitiful existence; and the beautiful Yolanda, who seeks the answer to a secret mystery.

Narrated by Joseph Tabler, Science Fiction Stories of the Future from the Past consists of the following works: “The Automatic Maid of All Work” by M. L. Campbell; “Ely’s Automatic Housemaid” by Elizabeth W. Bellamy; “Mr. Meek—Musketeer” by Clifford D. Simak; “Mr. Meek Plays Polo” by Clifford D. Simak; “In the Year Ten Thousand” by William Harben; “Service with a Smile” by Charles L. Fontenay; “Family Tree” by Charles L. Fontenay; and “Glow Worm” by Harlan Ellison. All stories are in the public domain.

Hank is walking home from the bar when the Model T pulls alongside him. It's been decades since he saw a car this old, and the sound of it takes him right back to his 20s. The door is open, and when he climbs in, the car takes off - without a driver. Before he knows what's happened, Hank is right back at Big Spring Pavilion, where he spent his youth drinking bootleg whiskey and chasing pretty girls. He will find the past is not quite as he remembered it, but still a lovely place to go for a drive.

Hiram Taine is a handyman who can fix anything. When he isn't fiddling with his tools, he is roaming through the woods with his dog, Towser, as he has done for as long as he can remember. He likes things that he can understand. But when a new ceiling appears in his basement - a ceiling that appears to have the ability to repair television sets so they're better than before - he knows he has come up against a mystery that no man can solve.

This early novella by Clifford Simak includes many elements which have become staples in science fiction literature: alien invasion, time travel and the multiverse. The future entire Earth is threatened by the invasion of a phantasmal force known as the Black Horror, which appears to be impervious to all weapons developed by man. To where will Dr Silas White turn for the rescue of the planet?

Mr. Jonathan Chambers senses that something is very wrong. The walk he takes every night is suddenly, slightly shorter. All around him things are vanishing. Is it because of the recent war or famine in the world? Does the scandalous theory that cost him his job hold the key? Or is it just the slowly unhinging mind of a recluse?

X Minus One premiered in April 1955 on NBC and ran until January 1958. Like its predecessor series, Dimension X, X Minus One featured stories by the greatest names in modern science fiction: Ray Bradbury, Robert Heinlein, Clifford Simak, Robert Bloch, and many more.

X Minus One premiered in April 1955 on NBC and ran until January 1958. Like its predecessor series, Dimension X, X Minus One featured stories by the greatest names in modern science fiction: Ray Bradbury, Robert Heinlein, Clifford Simak, Robert Bloch, and many more.

X Minus One premiered in April 1955 on NBC and ran until January 1958. Like its predecessor series, Dimension X, X Minus One featured stories by the greatest names in modern science fiction: Ray Bradbury, Robert Heinlein, Clifford Simak, Robert Bloch, and many more.

X Minus One premiered in April 1955 on NBC and ran until January 1958. Like its predecessor series, Dimension X, X Minus One featured stories by the greatest names in modern science fiction: Ray Bradbury, Robert Heinlein, Clifford Simak, Robert Bloch, and many more.

X Minus One premiered in April 1955 on NBC and ran until January 1958. Like its predecessor series, Dimension X, X Minus One featured stories by the greatest names in modern science fiction: Ray Bradbury, Robert Heinlein, Clifford Simak, Robert Bloch, and many more.

X Minus One premiered in April 1955 on NBC and ran until January 1958. Like its predecessor series, Dimension X, X Minus One featured stories by the greatest names in modern science fiction: Ray Bradbury, Robert Heinlein, Clifford Simak, Robert Bloch, and many more.

Author Jay Vickers would like nothing more than to be left alone so he can finish his next book. But "there's something strange going on," as his peculiar neighbor, Horton Flanders, says. The market is filling with new inventions that supposedly last forever-cars, razors, cigarette lighters, and more. Individuals and whole families are disappearing. Soon, even Mr. Flanders vanishes-but not before leaving Vickers a note.

Forestry student Jerry Conklin is fly-fishing when something huge lands on his car, crushing it into the earth. It looks like a big black box-about fifty feet high and two hundred feet long-and the object stirs up quite a commotion among the townspeople of Lone Pine, Minnesota. One of them even shoots at it-and quickly pays for it with his life.

Since the dawn of mankind, immortality has been the ultimate reward. But by the year 2148, it requires no act of faith to believe in an afterlife. Forever Center promises to bring people back to a life beyond death. Now everyone spends their lives in poverty, giving all their money to Forever Center to ensure their happiness and comfort in the next eternal life.

People work; folk play. That is how it has been in this country for as long as Sam can remember. He is happy, and he understands that this is the way it should be. People are bigger than folk. They are stronger. They do not need food or water. They do not need the warmth of a fire. All they need are jobs to do and a blacksmith to fix them when they break. The people work so the folk can drink their moonshine, fish a little, and throw horseshoes. But once Sam starts to wonder why the world is like this, his life will never be the same.