Résultats lu par "Matt Godfrey" dans Toutes les catégories

In October of 2013, Drew Hayes began posting a story to his website. Written over the thirteen days leading up to Halloween, when each chapter ended the next step was chosen by the readers. Sometimes this led to great discoveries and triumphs, other paths led to Dead Ends, though even in those there was much to be gleaned. For ten years, this tradition occurred, until in the year of 2022, the readers chose a finale. This is their story: a tale of deaths and decisions that spanned a decade.

In the murky London gloom, a knife-wielding gentleman named Jack prowls the midnight streets with his faithful watchdog Snuff—gathering together the grisly ingredients they will need for an ancient and unearthly rite. For soon after the death of the moon, black magic will summon the Elder Gods back into the world. And all manner of Players, both human and undead, are preparing to participate. Some have come to open the gates. Some have come to slam them shut. And now the dread night approaches—so let the Game begin.

Perdido, Alabama, has scarcely recovered from the floods that devastated the community. Now a scheme to build a levee is dogged by a series of mysterious events: unpredictable currents in the river, worrying disappearances. Meanwhile in the Caskey family, Marie-Love, the matriarch, continues her machinations against Elinor, her strange daughter in law. Plots, unholy alliances, sacrifices - in the struggle between them, nothing is off limits. In Perdido, the changes will be profound; the consequences irreversible.

Cults prey on the very attributes that make us human: our desire to belong, to find a deeper meaning in life, to live everyday with divine purpose. Their existence creates a sense that any one of us, at any time, could step off the cliff’s edge and fall into that daunting abyss of manipulation and unhinged dedication to a misplaced cause. Perhaps it’s this mindset that keeps us so utterly obsessed and desperate to learn more, or it’s that the stories are so bizarre and unsettling that we are simply in awe of the mechanics that make these infamous groups tick.

Grant, an ambitious photographer, is possessed by a young mental patient's strange drawings and becomes the disturbed young artist's confidant and guardian in a relationship that pushes Grant's own sanity to the edge.

"They're just kids.... It's only a game." That's what Barbara, a lovely 20-year-old babysitter told herself when she awoke bound and gagged. But the knots were tight and painful and the children would not let her go.

When the Paragon Society needs a situation contained, they call in their top battle mage, Lucy, a dual-blade-wielding, fireball-throwing kicker of butts. But a traumatic injury has fractured Lucy's psyche, leaving her trapped deep inside her subconscious. The Society and her friends are desperate to save her and are willing to try anything. The devised plan seems simple enough; Orson and the gang will get magicked into Lucy's mind, locate her, and bring her out. Yeah, right.

Anyone familiar with H. P. Lovecraft's work knows of the Necronomicon, the black-magic grimoire he invented as a literary prop in his classic horror stories. There have been several attempts at creating this text, yet none stand up to Lovecraft's own descriptions of the Necronomicon...until now. Fans of Lovecraftian magic and occult fiction will delight in Donald Tyson's Necronomicon, based purely within Lovecraft's own fictional universe, the Cthulhu Mythos.

A new era has begun for the Caskey family. Elinor’s relentless determination and the years of struggle are finally beginning to bear fruit: old hostilities have faded and the town is ripe for change. The conflict in Europe has brought new blood to Perdido, men arriving from far afield wanting to ingratiate themselves with the powerful family. But tangling with the Caskeys comes at a cost, and soon they must ask themselves how close is too close…

In the house on Violin Road he found the bodies of his brother, his mother, and the man who killed them both-his father. From the house on Violin Road, in Missing Mile, North Carolina, Trevor McGee ran for his sanity and his soul, after his famous cartoonist father had exploded inexplicably into murder and suicide. Now Trevor is back. In the company of a New Orleans computer hacker on the run from the law, Trevor has returned to face the ghosts that still live on Violin Road, to find the demons that drove his father to murder his family-and worse, to spare one of his sons. But as Trevor begins to draw his own cartoon strip, he loses himself in a haze of lines and art and thoughts of the past, the haunting begins. Trevor and his lover plunge into a cyber-maze of cartoons, ghosts, and terror that will lead either to understanding-true understanding-or to a blood-raining repetition of the past.

Dani Love is the girl who got away. Actually, she dumped me. Not exactly a stroke to my ego. When I move back home, Dani is just as much everything as she was before. Maybe even more. Snappy and smart with an attitude for days. I want her, even if it's stupid. Dani can't decide if it's better to ignore me, or fight with me. I'll fight and win. She just doesn't see it coming yet.

Who better to repel a body-snatching alien invasion than a group of teenage horror nerds? Billy and Tom are best friends, but each knows that at the end of the school year they'll be moving in different directions. But why not go out with a bang and throw one last video night? They can invite some girls over, order a pizza, then maybe try and fight the alien infection that's taken hold over their suburban town. It's The Breakfast Club meets The Night of the Creeps in this slime-drenched '80s horror romp.

One of the great pulp writers, Fredric Brown (1906-1972) combined a flair for the horrific, a quirky sense of humor, and a wild imagination, and published many classic novels in the mystery and science fiction genres. But he was also a master of the "short-short story", tales only a page or two in length, but hard-hitting and with a wicked twist at the end.

By 1979, we knew all that we know now about the science of climate change - what was happening, why it was happening and how to stop it. Over the next 10 years, we had the very real opportunity to stop it. Obviously, we failed. Nathaniel Rich’s groundbreaking account of that failure - and how tantalisingly close we came to signing binding treaties that would have saved us all before the fossil fuels industry and politicians committed to anti-scientific denialism - is already a journalistic blockbuster.

By 1979, we knew nearly everything we understand today about climate change—including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours.

Harry Crews grew up as the son of a sharecropper in Georgia at a time when “the rest of the country was just beginning to feel the real hurt of the Great Depression but it had been living in Bacon County for years.” Yet what he conveys in this moving, brutal autobiography of his first six years of life is an elegiac sense of community and roots from a rural South that had rarely been represented in this way.

In the isolated farming community of Harlowe, New Hampshire, John Moore and his wife, Mim, work the land that has been in his family for generations. But from the moment the charismatic Perly Dinsmore arrives in town and starts soliciting donations for his auctions, things begin slowly and insidiously to change in Harlowe. As the auctioneer carries out his terrible, inscrutable plan, the Moores and their neighbors will find themselves gradually but inexorably stripped of their freedom, their possessions, and perhaps even their lives....

"But come back soon", the sign said. Obviously it was a lie. The people in the grocery store just wanted to make sure he couldn't buy the spice he needed to make the recipe he'd selected for that night (recipes must be followed exactly). Obviously they wanted him to eat out...to meet the waitress, Marta, to see her horrible, unspeakable, unbearable ugliness. It was obvious to him: her maimed, twisted face was the living desire to be dead. He had to help Marta be dead.

It was just an ordinary garbage dump on peaceful Cape Cod. No one ever imagined that conditions were perfect for breeding, that it was a warm womb, fetid, moist, and with food so plentiful that everything creeping, crawling, and slithering could gorge to satiation. Then a change in poison control was made, resulting in an unforeseen mutation. Now the giant mutant cockroaches are ready to leave their nest - in search of human flesh!

Years earlier, John Tracker fled the insanity of his family and their house, a centuries-old monstrosity that his grandfather Theophilus rigged full of hallucinatory tricks and vicious death traps designed to capture the Devil. Now middle-aged, John receives word that the place is to be demolished to make way for a freeway, and he decides to revisit it with his girlfriend Amy Griffith before its destruction. But when a blizzard traps them inside the house, they will be forced to contend with the dangers hidden within: strange time-shifts, murderous traps, and more.