Résultats lu par "Adenrele Ojo" dans Toutes les catégories

Dive into three new stories that are sure to fright and delight! Narwhal loves Halloween — it's a great excuse to dress up in a spooky and silly costume, like a ghost, a mermaid, a banana or maybe even Marlow the Mustachioed Moose. It's a skeleTON of fun! Jelly isn't dressing up, though — he's a little scared of this time of year, and would prefer to hunker down in a hidey-hole until Halloween is over. But when a scary sea monster makes an appearance and swallows Narwhal (gulp!), can Jelly, with the help of some super friends, pluck up the courage to save his best bud?

Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile. Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island. A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature.

Thorn Marsh was raised in a house of whispers, of meaningful glances and half-finished sentences. Now she's a journalist with a passion for truth, more devoted to her work at the London Journal than she ever was to her ex-husband. When the newspaper is bought by media giant The Goring Group, who value sales figures over fact-checking, Thorn openly questions their methods, and promptly finds herself moved from the news desk to the midweek supplement, reporting heart-warming stories for their new segment, The Bright Side, a job to which she is spectacularly unsuited.

Aegis’s battle against Damocles ended with the Shield of Justice presumed dead and the President of the United States in a coma. As Aegis's friends and allies cope with this devastating loss, a new authoritarian regime rises to brand all superheroes as public enemies. In truth, Hugo Malalou (Aegis) is now a stranger in a strange and dangerous land, living someone else’s life. He has to find his way home in time to stop this sinister regime’s plan to wipe out all superhumans. With the fate of the country and his peers on his shoulders, Hugo cannot afford to fail.

In Homegrown, cultural critics Bell Hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, Hooks and Mesa-Bains invite listeners to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

It’s been years since Dr. Imani Kemp has returned home to Peachtree Cove, Georgia. As Tallahassee’s most sought-after OB-GYN, she doesn’t have much time for anything else. But when her mom announces she’s marrying a man she just met on a dating app, Imani knows she has to put a stop to it immediately. Let her mom be hurt again after the disastrous way her last marriage ended? Absolutely not. Always her protector, Imani won’t rest until her mom sees reason. She just never expected sparks to fly with the groom’s son.

When an international warning siren accidentally goes off, convincing everyone that a meteor shower may just be the end of life as they know it, six couples—friends, exes, crushes and rivals—must take shelter. Inhibitions are abandoned, confessions are made and love blossoms, but what happens when the world doesn’t end?

Bailey is a young, aspiring actress that has never had a real acting job besides a role in a high school play. But when she sees an ad for a production that takes place in 1954, she decides to take a chance. The only thing she knows is that it is fully immersive, and would require her to live in the fictional town for one full year. The rules are simple, stay in character and she gets a nice payout of more than one hundred thousand dollars. But would a black woman willingly live in the 50s?

Ailey Pearl Garfield grows up between the City in the north and summers spent in her mother’s small hometown of Chicasetta, Georgia. From an early age, she finds herself in a battle for belonging that’s made all the more difficult by a hurt in her past, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.

You might be the kind of person who stands up to online trolls. Or who marches to protest injustice. Perhaps you are #DisabledAndCute and dancing around your living room, alive and proud. Or perhaps you are the trans mentor that you wish you had when you were younger. Maybe you call out false allies or stand up to loved ones. Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave. This anthology features fictional stories—in poems, prose, and art—that reflect a slice of the varied and limitless ways that listeners like you resist every day.

What does it mean to call a place home? Who is allowed to become a member of a community? When can we say that we truly belong? These are some of the questions of place and belonging that renowned cultural critic Bell Hooks examines in Belonging: A Culture of Place. Traversing past and present, Belonging charts a cyclical journey in which Hooks moves from place to place, only to end where she began—her old Kentucky home.

Best friends forever. That’s the vow Joy, Diane, Rochelle and Yvette made when they were children, and even in their mid-thirties, the friends have always been there for each other—through the highs and lows of life and love. Until forever comes up against a terminal cancer diagnosis. Nothing could have prepared them for what life would look like when four became three. But Yvette was prepared. Her final gift to her girls is an all-expenses-paid trip to Jamaica like they had always talked about but kept putting off as life got in the way.

The death of George Floyd on May 25, 2020, and the ensuing trial of Derek Chauvin for murder a year later has rubbed raw the bloodiest stain on the United States’ history and its world reputation. The nine minutes and 29 seconds during which Chauvin’s knee crushed the spark of life out of Floyd was not unusual in the history of the United States. In roughly two centuries, Blacks have achieved nominal freedom. But, as this book’s opening chapter and expert essays that follow indicate, freedom has been conditional based on inequity of wealth, social, and legal discrimination.

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks's classic and early pieces of cultural criticism from the '80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee's film Do the Right Thing and Wim Wenders's film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison.

In an awesome meeting of minds, cultural theorists Stuart Hall and bell hooks met for a series of wide-ranging conversations on what Hall sums up as "life, love, death, sex." From the trivial to the profound, across boundaries of age, sexualities and genders, hooks and Hall dissect topics and themes of continual contemporary relevance, including feminism, home and homecoming, class, black masculinity, family, politics, relationships, and teaching.

When contract killer Cooper Franklin makes a deathbed confession, his revelations upend the lives of two strangers, setting them on an intersecting and ruinous path that imperils them both. Widow and single mom Tamara Foster must reckon with the mystery of her late husband’s death and the secrets he left behind. As she digs deeper into his past to discover that she never truly knew him at all, her carefully reconstructed world begins to crumble all over again.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life.

How one night turned into fifteen and counting is beyond me. I never imagined ending up here. I'm a Marriage Broker, not a matchmaker . . . Especially for myself! It was always a ruse. Perception, not reality. For a purpose, not for always. Business, not romance. Want to know my plan? A simple assist, a favor. Want to know my potential downfall? Him. His sincere eyes, his intoxicating smile, his scintillating personality. Oh, and our out-of-control chemistry.

In 1884, Sarah Winchester began building a large mansion in Santa Clara County, California. Under Sarah's direction, the house rose to be seven stories high and filled with mysterious features, including stairs that lead to nowhere and windows that look into other interior rooms. The house is more than just oddly designed, however: Many people believe that it is haunted.