Titres dans Amitié

The inhabitants of the Inventor's Housing Estate keep themselves to themselves. There are the friendly 'Hellos' when commutes coincide and the odd cheeky eye roll when the wine bottles clank in number seven's wheelie bin, but it's not exactly Ramsay Street. The dilapidated community centre is no longer the beating heart of the estate that Becky remembers from her childhood. So the new pottery class she's helped set up feels like a fresh start. And not just for her.

Due amici su un'auto rossa attraversano l'Italia: musica da cantare, il vento tra i capelli, la mano fuori dal finestrino a giocare con l'aria. Hanno una quarantina d'anni e una vita incagliata. Andrea aspetta un verdetto da cui dipende la sua vita sentimentale. Paolo è in crisi: di coppia, di identità, di mezza età. O forse è solamente bisogno di leggerezza. L'auto su cui viaggiano è una vecchia Fiat 850 spider. Il padre di Paolo l'aveva dovuta vendere per far spazio alla famiglia, e ancora la rimpiange.

For Samantha Miller's young fans—her 'girls'—she's everything they want to be. She's an oracle, telling them how to live their lives, how to be happy, how to find and honour their 'truth'. And her career is booming: she's just hit three million followers, her new book Chaste has gone straight to the top of the best-seller lists and she's appearing at sell-out events. Determined to speak her truth and bare all to her adoring fans, she's written an essay about her sexual awakening as a teenager, with her female best friend, Lisa.

The one thing that can solve Stephen's problems is dancing. Dancing at Church, the shimmer of Black hands raised in praise; he might have lost his faith, but he does believe in rhythm. Dancing with his friends, somewhere in a basement with the drums about to drop. Dancing with his band, making music which speaks not just to the hardships of their lives, but the joys too. Dancing with his best friend, two-stepping around the living room, crooning and grooving, so close their heads might touch. Dancing alone, at home, to his father's records, uncovering parts of a man he has never truly known.

It’s autumn in Maine, and the town lawyer Bob Burgess has become enmeshed in an unfolding murder investigation, defending a lonely, isolated man accused of killing his mother. He has also fallen into a deep and abiding friendship with the acclaimed writer, Lucy Barton, who lives down the road in a house by the sea with her ex-husband, William. Together, Lucy and Bob go on walks and talk about their lives, their fears and regrets, and what might have been. Brimming with empathy and pathos, TELL ME EVERYTHING is Elizabeth Strout operating at the height of her powers.

When Roisin and Joe join their friends for a weekend at a country house, it’s a triple celebration—a birthday, an engagement, and the launch of Joe’s shiny new TV show. But as the weekend unfolds, tensions come to light in the group and Roisin begins to question her own relationship. And as they watch the first episode of Joe’s drama, she realizes that the private things she told him—which should have stayed between them—are right there on the screen.

Two giants of the theater, five-time Tony Award® winner Angela Lansbury and three-time Tony Award winner James Earl Jones, star in 1988’s Pulitzer Prize-winner for Drama. Driving Miss Daisy is Alfred Uhry’s tale that follows the complicated friendship between a feisty Jewish widow and her Black chauffeur in mid-century Atlanta over the course of 20 years.

Widowed at a young age, Julie understands the pain that comes with love and has avoided romance for a long time. As she eases herself back into the dating scene, her eye is caught by the darkly sophisticated Richard, as he begins a passionate pursuit of her affections. But she is still confused by her feelings for best friend Mike: funny, loyal, but definitely not sophisticated. A seemingly innocent choice sets off a deadly chain of events that leaves Julie fighting for her life, as jealousy simmers into murderous desire.

Teenager Sally has just run away from a clinic where she to be treated for anorexia. She's furious with everything and everyone, and wants to be left in peace. Liss is in her 40s, living alone on a large farm that she runs single-handedly. She has little contact with the outside world, and no need for other people. From their first meeting, Sally realises that Liss isn't like other adults: she expects nothing of Sally and simply accepts who she is, offering her a bed for the night with no questions asked.

Ronke wants happily ever after and 2.2. kids. She’s dating Kayode and wants him to be “the one” (perfect, like her dead father). Her friends think he’s just another in a long line of dodgy Nigerian boyfriends. Boo has everything Ronke wants—a kind husband, gorgeous child. But she’s frustrated, unfulfilled, plagued by guilt, and desperate to remember who she used to be.

Marisa Rosso can’t understand why everyone else is getting on with their lives as she still struggles to get over the death of her beloved grandfather, back home in Italy. Everyone loses grandparents, right? Why is she taking it so badly? Retreating further and further from normal life, she moves to the end of the earth - the remote tidal island of Mount Polbearne, at the foot of Cornwall, hoping for peace and solitude, while carrying on her job as a registrar, dealing with births, weddings, and deaths, even as she feels life is passing her by.

While grief has led Dobbin to a life of solo adventures, some jobs can’t be done alone. Joining forces goes against his every instinct, but in a land of shadows, a cast of unlikely companions could be exactly what he needs to see the light again.

Harriet Hatley is the most in-demand wedding photographer in town, but she doesn’t believe in romance, loathes the idea of marriage, and thinks chocolate fountains are an abomination. Which is why, when her long-time partner proposes, she panics. Suddenly Harriet is single… and living down the hall from her ex. She needs a new apartment, like, yesterday.

Assigned to the same suite during their freshman year at Quincy-Hawthorn College, Lainey, Ji Sun, Alice, and Margaret quickly become inseparable. The leafy green campus they move through together, the idyllic window seat they share in their suite, and the passion and ferocity that school and independence awakens in them ignites an all-encompassing love with one another. But they soon find their bonds must weather threats that originate from beyond the dark forests of their childhoods, and come at them from institutions, from one another, and ultimately, from within themselves.

Amber, Lachlan and Raffaele met as teenagers in the seaside home of kind-hearted foster parents. Arriving in glorious Cornwall was the best thing that ever happened to them - and now, as adults, their bond is stronger than ever. But Amber has a secret. She's in love with Lachlan. She can't confess her feelings because that would never work. Restless Lachlan dates a lot and definitely isn't the settling-down type. Surely it's better to keep him as a friend than to risk losing him for good?

1986: Adrien, Etienne, and Nina are ten years old when they meet at school and quickly become inseparable. They promise each other they will one day leave their provincial backwater, move to Paris, and never part. 2017: A car is pulled up from the bottom of the lake, a body inside. Virginie, a local journalist with an enigmatic past, reports on the case while also reflecting on the relationship between the three friends, who were unusually close when younger but now no longer speak. As Virginie moves closer to the surprising truth, relationships fray, and others are formed.

Set in a Lower East Side tenement in the early days of the COVID-19 lockdowns, Fourteen Days is an irresistibly propulsive collaborative novel from the Authors Guild, with an unusual twist: each character in this diverse, eccentric cast of New York neighbors has been secretly written by a different, major literary voice—from Margaret Atwood and John Grisham to Tommy Orange and Celeste Ng.

In Heaven, a 14-year-old boy is tormented for having a lazy eye. Instead of resisting, he chooses to suffer in silence. The only person who understands what he is going through is a female classmate, Kojima, who experiences similar treatment at the hands of her bullies. Providing each other with immeasurable consolation at a time in their lives when they need it most, the two young friends grow closer than ever. But what, ultimately, is the nature of a friendship when your shared bond is terror?

After young Jieun accidentally misuses her powers, causing her beloved family to vanish, she lives a million restless lives in search of them. Overnight, in the village of Marigold on top of a hill, she conjures up her Mind Laundry, where she cleanses painful experiences, transferring them into stains on a T-shirt and turning them into dazzling red petals. We meet five souls: a frustrated young filmmaker; a tortured social-media influencer; a distraught mother who has discovered her husband’s other family; a young woman two-timed by her lover; a talented photographer and victim of bullying.

Franny Doyle is having the worst day. She’s been laid off from her (admittedly mediocre) job, the subway doors ripped her favorite silk dress to ruins, and now she’s flashed her unmentionables to half of lower Manhattan. On the plus side, a dashing stranger came to her rescue with his (Gucci!) suit jacket. On the not-so-plus side, he can’t get away from her fast enough. Worse yet? Someone posted their (entirely not) meet-cute online. Suddenly Franny and her knight-in-couture, Hayes Montgomery III, are the newest social media sensation, and all of New York is shipping #SubwayQTs.