Titres dans Satire

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

Trust Fall isn't your typical 9-to-5 comedy. Created by Claire Friedman and featuring a cast that reads like a humor hall of fame—Colin Jost, Wanda Sykes, Chris Parnell, Neil Patrick Harris, Cecily Strong, and more—this is a sidesplitting adventure in the corporate circus.

Ils n'ont qu'une addiction : le sang. Mais depuis plus de vingt ans, ils ont décidé de renoncer à leur péché mignon et de se désintoxiquer. Pas facile d'être un vampire urbain au XXIe siècle ! Dans une banlieue british tout ce qu'il y a de plus respectable, les Radley essayent désespérément de se comporter comme « des gens normaux ». Mais des vampires de souche peuvent-ils définitivement refouler leurs désirs et leurs instincts ? Pas sûr.

"Monsieur Haneda était le supérieur de monsieur Omochi, qui était le supérieur de monsieur Saito, qui était le supérieur de mademoiselle Mori, qui était ma supérieure. Et moi, je n'étais la supérieure de personne. On pourrait dire les choses autrement. J'étais aux ordres de mademoiselle Mori, qui était aux ordres de monsieur Saito, et ainsi de suite, avec cette précision que les ordres pouvaient, en aval, sauter les échelons hiérarchiques. Donc, dans la compagnie Yumimoto, j'étais aux ordres de tout le monde."

Zurück in die Zukunft! Die große dystopische Erzählung geht weiter ... Schwer was los in QualityLand, dem besten aller möglichen Länder. Peter Arbeitsloser darf endlich als Maschinentherapeut arbeiten und schlägt sich jetzt mit den Beziehungsproblemen von Haushaltsgeräten herum. Kiki Unbekannt schnüffelt in ihrer eigenen Vergangenheit und gerät dabei ins Fadenkreuz eines seltsamen Killers. Martyn Vorstand versucht verzweifelt ein Level aufzusteigen, um das Recht auf Vergessen werden nutzen zu dürfen.

For Commander Vimes, Head of Ankh-Morpork City Watch, life consists of troubling times, linked together by...well, more troubling times. Right now, it's the latter. There's a werewolf with pre-lunar tension in the city and a dwarf with attitude and a golem who's begun to think for itself, but that's just ordinary trouble. The real problem is more puzzling - people are being murdered, but there's no trace of anything alive having been at the crime scene.

What’s a white knight to do when his princess is causing utter havoc, leading in mass murder? Go to the famous Black Sorcerer of Grimslock for help, apparently. What’s a black sorcerer to do when the white knight comes to him for help? Keep him, naturally.

Après la mort de son père, Michel, fonctionnaire quadragénaire et blasé, décide de partir en Thaïlande pour goûter aux plaisirs exotiques. Il y rencontre Valérie, cadre dans une grande société de voyages, à qui il soufflera sa théorie sur les vraies motivations des Européens en quête de sensations fortes. Embarqué dans la lutte pour le profit à tout prix, où le corps est plus que jamais une marchandise, Michel jette un regard cynique sur la société occidentale.

Imagine a world where your position in society depended on what bit of the colour spectrum you could see. This is the world inhabited by Eddie Russett (red, middle-level) and Jane Grey (monochromatic, lowest in society). Eddie and Jane must negotiate the delicate Chromatic politics of society to find out what the 'Something that Happened' actually was, how society got to be this way, and crucially, is there Somewhere Else beyond their borders?

Endlich: Es geht weiter! Nach dem Manifest folgt die Offenbarung! Hier kommt die fulminante Fortsetzung der Fortsetzung: der "Känguru-Chroniken" dritter Teil. Das Beuteltier und der Kleinkünstler auf der Jagd nach dem mysteriösen Pinguin. Haltet euch bereit.

When the neighbours in question are the proud empires of Klatch and Ankh-Morpork, those are going to be some pretty large garden tools indeed. Of course, no-one would dream of starting a war without a perfectly good reason...such as a 'strategic' piece of old rock in the middle of nowhere. It is after all every citizen's right to bear arms to defend their own. Even if it isn't technically their own. And even if they don't have much in the way of actual weaponry.

It used to be: Make good grades, get good SAT scores, write a good essay, and you were on your way to a good college. Now? Kiss that world goodbye. Merit isn’t a sure thing. Connections are everything. And money talks– a lot. Enter Kelly Pritzker (Abbi Jacobson), a shrewd, New Jersey-based college “consultant” who isn’t above faking athletic profiles, seducing administrators, greasing palms, and juicing GPAs. When it comes to getting the under-qualified and uber-privileged into the Ivy League, Kelly’s the closest thing you’ll find to a guarantee...If you can afford her, that is.

Sensation, Sensation: Archäologen haben in einem Geheimfach in Marc-Uwes Schreibtisch neue Geschichten vom Känguru und seinem Kleinkünstler gefunden! Dies ist nicht die Fortsetzung der Fortsetzung der Fortsetzung der "Känguru-Chroniken". Trilogie bleibt Trilogie. Aber ein anständiger Kleinkünstler hat natürlich eine Zugabe vorbereitet. "Die Känguru-Apokryphen" versammeln zum ersten Mal alle weniger bekannten Eskapaden des dynamischen Duos: Episoden, die zwar nicht im allgemein gültigen Hochkanon der "Känguru"-Trilogie vertreten, aber ebenso witzig sind. Geschichten aus Anthologien, Live-Programmen ... und aus besagtem Geheimfach.

Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.

In Bournville, a placid suburb of Birmingham, sits a famous chocolate factory. For eleven-year-old Mary and her family in 1945, it's the centre of the world. The reason their streets smell faintly of chocolate, the place where most of their friends and neighbours have worked for decades. Mary will go on to live through the Coronation and the World Cup final, royal weddings and royal funerals, Brexit and Covid-19. She'll have children and grandchildren and great-grandchildren.

Getting hitched to the guy who walked out on me in the middle of a hookup wasn’t on my bingo card, but here we are. Sawyer O’Malley is bad news. He told me so. But when you sneak off with a guy like Sawyer at your best friend’s wedding, bad feels kind of good. Until he ghosts you. I made a point to avoid him after that. But somehow I find myself in the middle of his viral social media screw-up. Do I care if he got himself into a pickle and needs a wife? No. I don’t do second chances. But my credit is shot and I need a place to crash until I get back on my feet.

It is a truth universally acknowledged that a policeman taking a holiday would barely have had time to open his suitcase before he finds his first corpse. Commander Sam Vimes of the Ankh-Morpork City Watch is on holiday in the pleasant and innocent countryside, but not for him a mere body in the wardrobe. There are many, many bodies - and an ancient crime more terrible than murder. He is out of his jurisdiction, out of his depth, out of bacon sandwiches; and out of his mind. But never out of guile. Where there is a crime there must be a punishment.

Joe Goldberg is ready for a change. Instead of selling books, he’s writing them. And he’s off to a good start. Glenn Shoddy, an acclaimed literary author, recognizes Joe’s genius and invites him to join a tight-knit writing fellowship at Harvard. Finally, Joe will be in a place where talent matters more than pedigree . . . where intellect is the great equalizer and anything is possible. Even happy endings. Or so he thinks, until he meets his already-published, already-distinguished peers, who all seem to be cut from the same elitist cloth.

Désirée, trop jeune veuve, va régulièrement sur la tombe de son mari. Au cimetière, elle rencontre "le mec de la tombe d'à côté", dont l'allure l'agace autant que le caveau tape-à-l’œil qu'il vient fleurir. Depuis la mort de sa mère, Benny vit seul dans la ferme familiale. Il s'en sort comme il peut, grâce à une bonne dose d'humour. Chaque fois qu'il la voit, il s'énerve contre la nana qui s'assied sur le même banc de cimetière que lui.

Toby wasn’t ready to die in 2008 and wake up in 2088. 2088 wasn’t ready for Toby either. Gen-X computer hacker Toby is a classic American: impulsive, irreverent, intelligent, and inventive. And, after a silly accident in 2008, he can add “inanimate” to the list—because Toby is dead. But only for a while. Eighty years later, medical science has advanced enough to bring Toby back to life.