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Then She Was Gone
- Lu par : Gabrielle Glaister
- Durée : 10 h et 13 min
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Then She Was Gone
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Description
Brought to you by Penguin.
Best-selling psychological suspense and a top Richard & Judy selection.
She was 15, her mother's golden girl.
She had her whole life ahead of her.
And then, in the blink of an eye, Ellie was gone.
Ten years on, Laurel has never given up hope of finding Ellie. And then she meets a charming and charismatic stranger who sweeps her off her feet.
But what really takes her breath away is when she meets his nine-year-old daughter.
Because his daughter is the image of Ellie.
Now all those unanswered questions that have haunted Laurel come flooding back.
What really happened to Ellie? And who still has secrets to hide?
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Commentaires
"Packs a huge emotional punch that will leave you winded." (CL Taylor, author of The Missing)
Ce que les auditeurs disent de Then She Was Gone
Moyenne des évaluations utilisateurs. Seuls les utilisateurs ayant écouté le titre peuvent laisser une évaluation.Commentaires - Veuillez sélectionner les onglets ci-dessous pour changer la provenance des commentaires.
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Global5 out of 5 stars
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Interprétation5 out of 5 stars
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Histoire5 out of 5 stars
- Laure de Cologne
- 19/10/2020
Absolute page-turner! Disturbing, though
I could not stop listening. Don't expect a feel good novel, kind of caring world in pastel shades. It is not. It is disturbing. Although Lisa Jewells always approaches awful happening with sensibility and human respect, this book could hurt sensitive souls, unless you really want to know. This is a thriller for more advanced readers, a well done one. I recommend it highly. But be prepared. Some sleepless nights are to come.
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Global3 out of 5 stars
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Interprétation5 out of 5 stars
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Histoire2 out of 5 stars
- Inés Kucharz
- 11/06/2019
The art of creating round characters ...
… is something Lisa Jewell has no knowledge of. Throughout this story, whose plot is rather strange and a little far-fetched, characters act in a way that does not seem to be consistent. Floyd, for example, does nothing that I would call 'bad' in this story, but is in the end depicted as a kind of villain with a bad aura (ugh!). To my mind he acts rather honorably throughout the story (except for killing Noelle in a rage, but that is the one thing that is totally credible, I felt like killing her as well). Laurel is never depicted as a very good-looking, very desirable woman, but is in the end described as such. Both Laurel and Paul turn out to be quite well off, but at the start money problems are mentioned. All this is not consistent. The author seems to twist the characters so as to fit her improbable story. On the whole, not a success.
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