“‘Jonah Mixon-Webster is dead/ and weaponless’ writes the poet. What a magnificent lie tucked into this collection. Alive, sharp, blade-heavy hands are thrown at empire and self alike. Flint’s troubled water troubled here again, the poet’s gaze and rage unflinching. I love this book that hurts me so. Mixon-Webster writes with niggas on his heart, fire in his hands. His scorching intelligence reaches for lyric and typography as weapons for real missions, real people grieved and loved and held in the belly of these poems. Don’t miss this collection. It marks the arrival of a new genius, a genius that makes me see my Black world deeper and anew.” (Danez Smith, author of Homie)

“Mixon-Webster is a master of experimentation, for his work reads across multiple genres, creating new hybrids: poem-plays, poem-myths, poem-dreams, poem-dialogues, and more. This work is alive, demanding to be reckoned with, respected, and recognized.” (Fatimah Asghar, author of If They Come for Us)

“Breath-taking, bold, heart-crushing, thugged-out, elegant and extraordinary, Jonah Mixon-Webster’s unblinking work in Stereo(TYPE) is full of profound love and searing rejections. The sophistication of imagery and style, anger and truth, deeply intimate desire and macrocosmic outrage become a clarion call against passive acceptance of oppression. What a bold, necessary and stunning collection. I find myself unmoored yet more clear-eyed in our struggles reading the heartfelt daring in Jonah’s inventive poetry.” (Tracie Morris, author of Who Do with Words)