Snow Crash
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Snow Crash
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Lu par :
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Jonathan Davis
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De :
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Neal Stephenson
À propos de cette écoute
In reality, Hiro Protagonist delivers pizza for Uncle Enzo's CosaNostra Pizza Inc., but in the Metaverse he's a warrior prince. Plunging headlong into the enigma of a new computer virus that's striking down hackers everywhere, he races along the neon-lit streets on a search-and-destroy mission for the shadowy virtual villain threatening to bring about Infocalypse. Snow Crash is a mind-altering romp through a future America so bizarre, so outrageous...you'll recognize it immediately.
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"Fast-forward free-style mall mythology for the 21st century." (William Gibson)
Ce que les auditeurs disent de Snow Crash
Moyenne des évaluations utilisateurs. Seuls les utilisateurs ayant écouté le titre peuvent laisser une évaluation.Commentaires - Veuillez sélectionner les onglets ci-dessous pour changer la provenance des commentaires.
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Global5 out of 5 stars
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Interprétation5 out of 5 stars
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Histoire5 out of 5 stars
- SL
- 26/09/2018
Brillant SF novel
The plot is thrilling, mixing computer science / cyber punk / history with subtlety. Snowcrash’s characters are well depicted and profound. The narrator’s voice is deep, engaging and powerful. 5 stars audiobook!
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Global1 out of 5 stars
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Interprétation1 out of 5 stars
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Histoire1 out of 5 stars
- Pierre Gauthier
- 16/01/2022
Disappointing!
This very long novel published in 1992 certainly proves to be original and imaginative, yet all may not appreciate it. In fact, many may feel that the author strives too much to be creative and that the storyline is just an excuse to line up elements that he personally considers “cool”: car and skateboard chases worthy of video games, equally outré gunfights and swordfights, lengthy references to the Bible and to Antiquity, a dog’s stream of consciousness, etc. In fact, by the end of the book, some sub-plots are still unresolved.
There is no attempt to be remotely plausible. For instance, the main character, called “Hiro Protagonist”, is a computer hacker and a Samurai sword virtuoso who now delivers pizzas for a living and has a keen interest in the ancient Sumerian language. His female counterpart, called ‘YT” (for “Yours truly”), is a 15-year-old courier gratified with super high-tech clothing and equipment. She lives with her mother but there is no mention of her ever going to school.
The novel is set in an unspecified future which is not so distant from the book’s release since many characters are Vietnam War veterans and Hiro’s father was a soldier in Nagasaki in 1945. The times are dystopian, and the United States government has given up power over most of its former territory, which is now broken up into multiple autonomous units, many controlled by the American Mafia or by “Buy and Fly”.
The novel is credited for anticipating many innovations: the notion of “metaverse”, and the word itself, first appeared here. The book also matter-of-factly includes cell phones (called “personal phones”) as well as the equivalents of Google Earth (though it provides live images), email, Roomba and Waze. Strangely, however, videotapes are still around as well as 3-ring binders and xeroxing. Also, some technology featured has not become generalized 30 years later, notably all-terrain skateboards, wearable airbags and… portable hydrogen bombs.
Many may consider that the novel would have immensely benefited being edited to perhaps half its current length.
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Global2 out of 5 stars
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Interprétation2 out of 5 stars
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Histoire2 out of 5 stars
- kakkun
- 24/05/2023
Read William Gibson's Neuromancer instead
[Spoiler alert!] Almost every article mentioning the Metaverse since Facebook became Meta keeps pointing at Snow Crash as the book that introduced the term "Metaverse". This is maybe one the rare innovations you'll find in here, as most of the names chosen by the author are very unimaginative: the "hero" is named "Hiro Protagonist", he is a skilled biker and katana sword fighter both in the real and the virtual world. He is delivering pizza, for the mafia. Other characters include an underage roller skating girl named YT, a "Rat Thing", a pirate named "Bruce Lee" and so on.
There are references to the Vietnam war, and to nuclear bombs. It all feels very shallow, almost as tasteless as a mashup of every bad action movie of the 80s and the 90s.
The description of the virtual world has too many pointless and overly detailed descriptions to try and sound cool, or technologically advanced, like explaining that 2^16 = 65536 or referring to port 127, which are obvious numbers to computer scientists and maybe pointless references to other readers. Nothing is ever subtle or suggested, as if the reader did not have enough neurons or imagination.
Maybe all these clichés are here for a reason. They are not necessary funny, and many times they are close to racist stereotypes, so they could be used on purpose to describe a mindless and brainwashed society, having a hard time to think. Or maybe the real world is already a Meta Metaverse on its own, with new rules and abnormal situations, as well as silly names sounding like social media handles?
In contrast, there are a few interesting, metaphysical and philosophical theories introduced in this book. Sumerian legends and early languages and abstract phones which can be seen as the "machine code" of the brain. Also there is the idea that brains could be controlled by cleverly crafted sounds and images, just like machines can be attacked by computer viruses.
So is the author trying to show how the world has been collapsing and declining since the ancient days, mostly because of mass media and weak governments, and that ancient knowledge was ultimately more advanced than any modern technology?
Despite anticipating AI assistants, Google Earth / Maps, and avatars, there is nothing really interesting in this book that could not have been written in a few lines.
William Gibson's Neuromancer, which was written before Snow Crash, is much better at making you feel the alterations of the human brain when on drugs or when controlled by technology, and it does so in a very clever and subtle way, waiting for the reader to "hack" the text to understand it completely.
The performance doesn't help: the audio version uses a monotonous and annoying voice, with some terrible accents at times.
Read Neuromancer instead.
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