Macbeth: A Novel
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Lu par :
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Alan Cumming
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Macbeth: A Novel brings the intricacy and grit of the historical thriller to Shakespeare’s tale of political intrigue, treachery, and murder. In this full-length novel written exclusively for audio, authors A. J. Hartley and David Hewson rethink literature’s most infamous married couple, grounding them in a medieval Scotland whose military and political upheavals are as stark and dramatic as the landscape on which they are played.
Macbeth is a war hero and a patriot, doing everything in his power to hold together Duncan’s crumbling kingdom, which is beset by sedition from within and with threats from overseas. But when Duncan, contrary to ancient Scottish tradition, turns to building a family dynasty instead of rewarding those who have borne the brunt of the fighting, Macbeth and his powerful wife, Skena, make plans of their own, plans designed to hold both the nation and their strained relationship together. Sinister figures who claim supernatural knowledge spur them on, but the terrible outcome is as much about accident and failure as it is malevolence. Soon Macbeth and his wife find themselves preeminent in all the land, but struggling to hold themselves and their country together as former friends turn into bitter and deadly enemies.
This is Macbeth as you have not heard it before: fresh, edgy, and vital. It is a story of valor in battle, whispering in shadows, witchcraft in the hollows of an ancient landscape, and the desperate struggle of flawed people to do what they think is right.
©2011 A.J. Hartley, David Hewson (P)2011 Audible, Inc.Vous êtes membre Amazon Prime ?
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Avis de l'équipe
As British best-selling crime author David Hewson reflects in his introduction to this innovative project, "the Scottish play" is shrouded in mysteries that are not to be taken lightly. Shakespeare condensed and confused 17 years in the history of a beloved king into a play covering a few days rife with political intrigue and shadowy motivations. In The Bard's tragic canon, Macbeth stands as an anomaly for many reasons, including how short it is and how flat all the characters are besides Macbeth himself. With the help of A.J. Hartley, distinguished professor of Shakespeare at UNC-Charlotte and thriller novelist, Macbeth: A Novel is poised to provide a more complete and fleshy picture of this odd little play.
Going where many other actors would fear to tread is, of course, Alan Cumming. Cumming has a long history with daring characters on stage and on the big screen, as well as his fair share of Shakespeare with a previous turn as Hamlet. With an Audie Award already under his belt, he has the chops necessary to imagine and give voice to paranoid kings and conniving witches, but perhaps one of the greatest joys of his work on Macbeth: A Novel is just the fact of his naturally beautiful Scottish accent left unfettered. Nothing sets the landscape so clearly as listening to those long, rolling vowels come up from a part of the belly that only a Scot must have.
Cumming does not shy away from the devious depths of feeling that Hartley and Hewson have so carefully layered onto the play. No more off-stage murder, no more simply scary witches chanting, and quite a bit more sympathy for this story's many devils. Every poisonous cup and every stab wound are rendered in living battle colors. The three witches are not just weird, but positively demonic, each with their own dynamic contribution to the making of a king. Lady Macbeth and Banquo in particular have personalities that loom as large as Macbeth's familiar form.
A strikingly modern interpretation that nevertheless faithfully adapts Shakespeare's original, this audiobook will surely please a wide variety of listeners. Lovers of mysteries or political thrillers, teachers struggling to blow the dust off a classic for their students, and fans of Shakespeare will all find many reasons to enjoy Hartley and Hewson's fresh presentation. —Megan Volpert
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Ce que les auditeurs disent de Macbeth: A Novel
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Global
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Interprétation
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Histoire
- Pierre Gauthier
- 20/01/2021
Disappointing!
Contrary to what may be expected, this work is not an adaptation of Shakespeare’s play in novel form and contemporary English. Rather, as one of the co-authors explains in the epilogue, the original tragedy is seen as an inspiration for a new endeavour. His justification is that Shakespeare himself used various sources written as a basis for his own theatrical productions. Many may see this as preposterous since this prior material was little known by the public and probably had little effect in attracting Elizabethan audiences.
Thus, this novel excludes certain of the play’s characters, magnifies others (such as the porter) and throws in extra details from historical sources. Some, such as the Roman cult of Mithras, could hardly have been known to anyone living in the Middle Ages! Others just emerge from the co-authors’ own imagination.This irreverent approach is compounded by the fact that many elements of the novel are sordid, strikingly so with respect to the witches and their cannibalism.
The audio version must be commended, however, for using a Scottish narrator with a very well-suited accent.
Overall, however, there is little reason to recommend this work as a substitute or a complement to the famous play.
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