Japanese Fairy Tales
Impossible d'ajouter des articles
Échec de l’élimination de la liste d'envies.
Impossible de suivre le podcast
Impossible de ne plus suivre le podcast
Japanese Fairy Tales
Acheter pour 19,14 €
Aucun moyen de paiement n'est renseigné par défaut.
Désolés ! Le mode de paiement sélectionné n'est pas autorisé pour cette vente.
-
Lu par :
-
Leslie Bellair
À propos de cette écoute
Here are 22 charming Japanese Fairy Tales, translated by Yei Theodora Ozaki, including "My Lord Bag of Rice", "The Tongue-Cut Sparrow", "The Story of Urashima Taro, the Fisher Lad", "The Farmer and the Badger", "The Shinansha, or the South Pointing Carriage", "The Adventures of Kintaro, the Golden Boy", "The Story of Princess Hase", "The Story of the Man Who Did Not Wish to Die", "The Bamboo-Cutter and the Moonchild", "The Mirror of Matsuyama", "The Goblin of Adachigahara", "The Sagacious Monkey and the Boar", "The Happy Hunter and the Skillful Fisher", "The Story of the Old Man Who Made Withered Trees to Flower", "The Jellyfish and the Monkey", "The Quarrel of the Monkey and the Crab", "The White Hare and the Crocodiles", "The Story of Prince Yamato Take", "Momotaro, or the Story of the Son of a Peach", "The Ogre of Rashomon", "How an Old Man Lost His Wen", and "The Stones of Five Colors and the Empress Jokwa".
Public Domain (P)2012 Audible, Inc.
Vous êtes membre Amazon Prime ?
Bénéficiez automatiquement de 2 livres audio offerts.Bonne écoute !
Avis de l'équipe
Yei Theodora Ozaki liberally translated this anthology of Japanese fairy tales with an aim to please English children. And please them she does, though these folk stories aren't necessarily 100 percent faithful to their original versions. Ozaki substitutes unfamiliar vocabulary and even alters unhappy endings at times, but her motives are pure and these colorful, "enhanced" tales offer children a welcoming introduction to Japanese culture.
Leslie Bellair performs the audiobook in a bright and youthful voice that adds vitality to the content. If an imaginative child closes her eyes while she listens, perhaps Bellair's expressive performance can help recreate the beautiful images that accompanied the original text in 1903.