
Exodus
A Memoir
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Lu par :
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Deborah Feldman
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Deborah Feldman
À propos de cette écoute
In 2009, at the age of 23, Deborah Feldman packed up her young son and their few possessions and walked away from her insular Hasidic roots. She was determined to forge a better life for herself, away from the rampant oppression, abuse, and isolation of her Satmar upbringing in Williamsburg, Brooklyn. Out of her experience came the incendiary, best-selling memoir Unorthodox, and now, just a few years later, Feldman has embarked on a triumphant journey of self-discovery - a journey in which she begins life anew as a single mother, an independent woman, and a religious refugee.
Taking her cues from favorite childhood books read in secret and the modern classics only recently introduced to her, Feldman explores the United States, from San Francisco to Chicago, New Orleans, and the Southwest. In her travels, and at home, Feldman redefines her sense of identity - no longer Orthodox, she comes to terms with her Jewishness by discovering a world of like-minded outcasts and misfits committed to self-acceptance and healing. Inwardly, Feldman has navigated remarkable experiences: raising her son in the “real” world, finding solace and solitude in a writing career, and searching for love.
Culminating in an unforgettable trip across Europe to retrace her grandmother’s life during the Holocaust, Exodus is a deeply moving exploration of the mysterious bonds that tie us to family and religion, the bonds we must sometimes break to find our true selves. Feldman proves herself again to be a captivating storyteller, and her singular life has been an inspiration to countless others and for listeners everywhere.
©2014 Deborah Feldman (P)2014 Penguin Audio
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Ce que les auditeurs disent de Exodus
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Global
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Interprétation
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Histoire
- Laura
- 13/04/2020
Love Deborah Feldman, was turned off by "accents"
I really liked Unorthodox as well as Exodus specially because of Feldman's personal narration in her quest for identity. This is a beautiful exploration of what we think we are, and what we think the world is.
I was, however, almost ofended by the imitation of accents. I wish audiobooks directors stopped asking readers to do this. Sometimes I have the same reaction when male readers imitate female voices in such a way that hears comical. I'm sorry to say that in Exodus, the imitation of non native English speakers sound almost like mockery. In an exploration like this one, it's a painful contradiction. It underlines the idea of otherness, of the narrator being judgemental (although I'm sure that's not the goal), and of a very limited idea of how one can express oneself.
Same thing with the so, so old and tired mention of "Africa" as a poor place of hunger and the mention of poverty in "Third World Countries". I guess that being part of an othered group doesn't save us from pointing our finger towards others and reducing them to mean representation.
This aside, these are beautiful books, worthy of a careful, attentive reading. I was moved very deeply, even when I come from a world that can't be more different. Even if I'm very much an "other" for the storyteller.
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