For fans of The Goldfinch and Tomorrow, and Tomorrow, and Tomorrow, an ambitious and absorbing debut that follows three generations of women from New York to rural Ireland and back again.

New York City, late September 2001. The walls of the city are papered over with photos of the missing. Cora Brady’s father is there, the poster she made taped to columns and bridges. When a letter arrives from an aunt she didn’t know existed in Ireland with the offer of a new life, the name jogs a memory: an old videocassette game Cora used to play as a child where two sisters must save the students of a mysterious boarding school.

County Donegal, 1974. An eclectic group of artists known as the Screamers arrives in Burtonport and moves into the old schoolhouse down the road from where Roisin lives with her older sister Moira. Alternately kind and cruel, brilliant artist Moira is a mystery to Roisin, as is Moira’s relationship with the boy next door, Michael. When the Screamers look to hire an artist in residence, Roisin enlists Michael’s help to get Moira the job, setting in motion a chain of events that will put an ocean between the sisters and threaten to tear them apart forever.

Burtonport, 2018. Lyca Brady lives in a sprawling old house with her mother, Cora, and great aunt, Ro. Abortion has just been legalized in Ireland, and Lyca is struggling to find herself outside her mother’s activism. An unexpected message from a childhood friend sends Lyca searching her house’s mysterious attic, with its strange collection of old medical equipment, piles of paperwork, and dusty boxes of ancient video games. There, she unearths secrets hidden for decades—secrets perhaps better left unknown.

Catherine Airey’s haunting debut spins a mesmerizing story of family and fate, survival and revelation, examining the irresistible gravity of the past—how it endures through generations, pervasively present even when buried or forgotten.