Two unlikely young men charged with desertion and facing execution in the besieged city of Leningrad are charged with an impossible task: they can have their freedom if they can find a dozen eggs for the wedding cake of a powerful colonel's daughter. The two make an odd couple: one a scrawny Jewish outsider, the other an erudite charmer, and their journey takes them from the war-torn city to the snow-covered countryside. Sound like the basis of a classic movie? That might be because the author, David Benioff, is a successful screenwriter, and City of Thieves is halfway between movie-script and roman-a-clef, between airport blockbuster and serious literature.

It's a difficult balancing act, but it succeeds here in no small part due to Ron Perlman's unforgettable narration. His voice is as full of character as his celebrated face, and his bar-room drawl brings a hard-boiled noir quality to the narration. It's a voice dripping in contraband and cordite, easily navigating the Russian names and injecting a sly, seductive humor into the dialogue that offsets the occasional lapse into sentimentality. It's a fantastic performance that succeeds in tying together the disparate elements of this rich tale.

Perlman also takes great relish in conveying the myriad of tiny details that Benioff weaves into the narrative, and which lend a cinematic quality to the work. Indeed, the author's screenwriting background is evident throughout: there's a tightly-constructed plot that never loses a sense of forward propulsion, even during the quieter moments; there is a skilful interweaving of film-school tropes the buddy movie, the coming-of-age tale, the WWII film. And there's that attention to detail. Although Benioff has clearly done his research, it's the off-beat imagery that brings to life the reality of living in a besieged city: concrete dragon's teeth are arranged to hinder the approach of enemy tanks; leather boots still bloody from the feet of the previous owners; malnourished children's bones break easily.

A slightly superfluous framing narrative alerts us to the novel's more literary aspirations. The art of storytelling is central to this tale, and the narrative brims over with literary references: doomed poets, scabrous novelists, callous propagandists. The picaresque plot recalls A Hero of Our Time, and the main action begins with a German parachutist's corpse drifting down the empty streets, an image halfway between a movie storyboard and Lord of the Flies just one of many evocative set-pieces in this highly entertaining adventure. Dafydd Phillips