Beeswing
Losing My Way and Finding My Voice 1967-1975
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Beeswing
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Richard Thompson
À propos de cette écoute
A Rolling Stone Best Music Book of 2021
“Thompson is a master showman . . . [Beeswing is] everything you’d hope a Richard Thompson autobiography would be . . . It’s both major and minor, dirge and ditty, light on its feet but packing a punch.”
—The Wall Street Journal
Now Featuring an Interview with Elvis Costello
In this moving, immersive, and long-awaited memoir, beloved international music legend Richard Thompson recreates the spirit of his early years, where he found, and then lost, and then found his way again. Considered one of the top twenty guitarists of all time, Thompson also belongs in the songwriting pantheon alongside Bob Dylan, Paul Simon, and Randy Newman. Here the British folk musician takes us back to the late 1960s, a period of great change and creativity for both him and the world at large.
During the pivotal years of 1967 to 1975, just as he was discovering his passion for music, he formed the band Fairport Convention with some schoolmates and helped establish the genre of British folk rock. It was a thrilling period of massive tours, where Thompson was on the road in both the UK and the US, crossing paths with the likes of Led Zeppelin, Pink Floyd, and Jimi Hendrix, as well as a time of heady and explosive creativity for Thompson, who wrote some of his most famous songs during this time. But as Thompson reveals, those eight years were also marked by upheaval and tragedy. Honest, moving, and compelling, Beeswing vividly captures the life of a remarkable man and musician during a period of artistic intensity, in a world on the cusp of change.
“An absorbing, witty, often deliciously biting read, as all rock memoirs should be.” —Los Angeles Review of Books
©2021 Richard Thompson and Scott Timberg (P)2022 Hachette Audio
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Commentaires
“Beeswing is wry, un-ponderous, anti-obligatory. Because the sound Thompson created with Fairport was rooted in centuries-old songs, he isn’t captive to ’60s clichés; and because British electric folk is off the classic-rock grid . . . The book’s period accent makes it feel fresh and exploratory.” —The New York Times Book Review
“Mr. Thompson is a master showman. The balancing act of major and minor, strung together by his witty, self-deprecating banter, is the crux of Mr. Thompson’s shows, and that same equipoise between dirge and ditty is the hallmark of Beeswing: It’s everything you’d hope a Richard Thompson autobiography would be . . . It’s both major and minor, dirge and ditty, light on its feet but packing a punch: like the very best Richard Thompson show.” —Wesley Stace, The Wall Street Journal
“Thompson has a reputation as a guitarists’ guitarist and a top-notch singer-songwriter . . . With Beeswing, Thompson proves himself equally adept as a memoirist . . . Just as he has a knack for lyrics, Thompson has a way with words on the page, offering colorful portraits of his contemporaries and collaborators . . . Thompson’s humor and insight also shine. He evocatively recreates a time and place, and, like his shows, his memoir leaves you wanting more.” —Booklist, starred review