Africa’s Struggle for Its Art
History of a Postcolonial Defeat
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Ronnie Archer-Morgan
À propos de cette écoute
Ronnie Archer-Morgan narrates this major new history of how African nations sought to reclaim the art looted by Western colonial powers
For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa’s Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world’s foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.
Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire’s president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.
Making the case for why restitution is essential to any future relationship between African countries and the West, Africa’s Struggle for Its Art will shape conversations around these crucial issues for years to come.
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©2022 Bénédicte Savoy (P)2022 Princeton University PressVous êtes membre Amazon Prime ?
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Commentaires
“A prequel to present debates on restitution, Africa’s Struggle for Its Art deftly details the tenacity of Africans who demanded the return of cultural property and the persistence of European arguments against it. Bénédicte Savoy’s text is not only a history, but also a forceful directive to Europe to finish the project of repatriation. This is a must-read for anyone who takes seriously the urgency of returning Africa’s stolen patrimony.”—Steven Nelson, dean of the Center for Advanced Study in the Visual Arts, National Gallery of Art