Résultats lu par "Ghizela Rowe" dans Toutes les catégories

The ships of Europe explore the globe. The Age of Mercantilism sets the stage for centuries to come. The Reformation is underway, and scientific thinking begins to challenge the Church even as nation falls upon nation. In the Americas and Asia, ancient empires clash. Cultures resonate and express themselves with the fruit of the Ottoman, Safavid, Moghul and Chinese expansion. In England, the Elizabethan age of Shakespeare, Marlowe, Donne, Jonson and Spenser dawns.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England, the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

William Morris was born in Walthamstow, London, on 24 March 1834 and is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856. Morris' fascination with the ancient Germanic and Norse peoples dominated his writing, and he was the first to translate many of the Icelandic sagas into English. He also published limited-edition illuminated style books, with his design for The Works of Geoffrey Chaucer standing out.

Anne Bradstreet was born in 1612 in Northampton, England. Her parents' position allowed them to educate Anne across many subjects, which was unusual for its day. She married and had eight children. She and her family emigrated to America, where they moved often from place to place. She wrote some beautiful poetry in 1650; the publication of her collection of verse The Tenth Muse Lately Sprung Up in America made her the first female poet ever published in England and the New World.

Arthur Morrison was born on November 1st, 1863, in Poplar, in the East End of London. From the age of eight, after the death of his father, he was brought up, along with two siblings, by his mother, Jane. This volume comes to you from Portable Poetry, a specialised imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes and many compilations.

Listen to A.M. Burrage's The Sweeper, a thrilling supernatural tale about a cold-hearted old woman, a poor sick man, and vengeance.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition.

Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings. Forget the idea of classic poetry being somehow dull and boring and best kept to children's textbooks. It still has life, vibrancy and relevance to our lives today.

Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings. Forget the idea of classic poetry being somehow dull and boring and best kept to children's textbooks. It still has life, vibrancy and relevance to our lives today.

Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings. Forget the idea of classic poetry being somehow dull and boring and best kept to children's textbooks. It still has life, vibrancy, and relevance to our lives today. Where to start? How to do that? Poetry can be difficult. We've put together some very eclectic Poetry Hours, with a broad range of poets and themes, to entice you and seduce you with all manner of temptations.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, or that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, that opens our ears and eyes to very personal feelings.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered, too. Poets as rich and diverse as Longfellow, Hood, Bronte, Burns, and Gibran here share their words, thoughts and visions with us.

Elizabeth Barrett Moulton Barrett was born on 6 March 1806, in Coxhoe Hall, County Durham, the eldest of 12 children. The family's wealth was derived from sugar plantations manned by slaves in Jamaica and enabling them to also purchase a 500-acre estate in Herefordshire. This wealth allowed her to publish poems from an early age. However by age 20 the family’s fortunes were to decline, but never below comfortable, after losing a lawsuit over their plantations.