Résultats de "Percy Bysshe Shelley" dans Toutes les catégories

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

Enjoy a deep woodland walk with these poets as your guide. Each poem has been carefully selected for its direct access to the heart of nature accompanied by the music of Beethoven, Debussy, and Grieg. This is the second book in this series.

"The Necessity of Atheism" is an essay on atheism by the English poet Percy Bysshe Shelley, printed in 1811 when he was a student at University College, Oxford. He argues that an educated man ought to turn away from superstition and that education is essential because religion is really about power.

The Necessity of Atheism was first published by Shelley in 1811. In 1813 he printed a revised and expanded version of it as one of the notes to his poem Queen Mab. Shelley evinced a searing contempt for organized religion but maintained a belief in a benevolent non-sectarian World Spirit.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

The period of English romantic poetry occurred roughly between 1800 and 1850 and was represented by poets such as William Blake, Lord Byron, Samuel Taylor Coleridge, John Keats, Percy Bysshe Shelley, and William Wordsworth. All of these poets are featured in this collection of more than 50 poems read by award-winning actors that include Joan Allen, Julie Christie, Stephen Fry, Glenda Jackson, and Jude Law.

Like his great contemporaries, John Keats and Lord Byron, Shelley suffered an untimely death, but still managed to stun the world with a wide-ranging body of work, including poetry, drama, and criticism. His poetry is that of a young man, a lover of nature and fiercely critical of institutionalized corruption, and virtuosic in his use of language and imagery.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

Ozymandias is a pithy sonnet by Percy Bysshe Shelley. It was first published in 1818, and explores the impermanence of humans, their empires, and legacies, as well as the futility of their snobbery and excessive gravitas. A sage and contemplative piece from a poetic maestro.

This meditation on artistic creativity was written during the latter months of 1815, during a sojourn on the border of Windsor Forest. Critics have concurred in the opinion that the anonymous hero of the poem is Shelley himself, who feared that he too would become an "inheritor of unfulfilled renown". Today, the poem is considered to be the first major work of Shelley's maturity.

What is love? The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another. Love is perhaps best expressed through poetry.

A collection of the greatest poetry from the Romantic period, read by some of the 20th century’s most renowned actors. Love, romance and portrayals of nature are played out in these timeless readings of poetry written during the Romantic period. Performed by Richard Burton, Peter Orr, William Squire, Richard Marquand, Peggy Ashcroft, Margaretta Scott, Tony Church, Derek Godfrey, Patrick Garland, Gary Watson and Janette Richer. This collection includes poems from: William Wordsworth, Samuel Taylor Coleridge, William Blake, Lord Byron, Percy Bysshe Shelley, John Keats.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

This is an essay from the Favorite Essays collection.

April - the fourth month of the year in the Gregorian calendar heralds spring in earnest and, of course, April showers and perhaps other unsettled weather. For our poets, including Owen, Stevenson, Van Dyke, Hardy, and Shelley, the month provides a rich source for them to muse upon.

Idealist, atheist, outcast, political radical and, of course, poet - Percy Bysshe Shelley was, in many ways, the epitome of the Romantic artist. His poetry was an outlet for his passionately held and highly unpopular beliefs, beliefs which resulted in social exclusion, exile, and possibly even his premature death at the age of 29. His work is a monument to his convictions and to the power of the human spirit, and today it is recognized as a key contribution to Romantic literature.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.