Résultats de "Joseph Conrad" dans Toutes les catégories

A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.

Le capitaine Marlow raconte sa remontée d'un grand fleuve africain sur un vapeur jusqu'au "cœur des ténèbres", à la recherche d'un certain Kurtz.

"La folie et le désespoir ! Qu'on me donne cela comme levier, et je ferai bouger le monde". Verloc, espion infiltrant le milieu anarchiste, se voit sommé de commettre un attentat retentissant, sous peine de se voir retirer ses rétributions. Mais personne dans son entourage, à commencer par sa femme, ne sait rien de ses activités parallèles. Tout se gâte réellement lorsque Stevie, le frère attardé mental de la femme de M. Verloc, s'intéresse aux agissements de son beau-frère.

Le fleuve Congo, dans 'Au cœur des ténèbres', est bien plus qu'un simple cours d'eau ; il est une métaphore de l'inconscient humain, de l'obscurité qui sommeille en chacun de nous. En remontant ce fleuve sinueux, Marlow entreprend un voyage intérieur, une exploration des profondeurs de son âme. Au fur et à mesure qu'il avance, les repères de la civilisation s'effacent, laissant place à un monde primitif et sauvage.

Joseph Conrad’s multilayered masterpiece tells of one nation's violent revolution and one hero's moral degeneration. Conrad convincingly invents an entire country, Costaguana, and sets it afire as warlords compete for power and a fortune in silver.

Señor Gould, adamant that his silver should not become spoil for his enemies, entrusts it to his faithful longshoreman, Nostromo, a local hero of sorts whom Señor Gould believes to be incorruptible.

"Sur les bancs argentés les hippopotames et les crocodiles prenaient le soleil côte à côte. On perdait son chemin sur ce fleuve comme on le ferait dans un désert, tant qu'on se croyait coupé à jamais de tout ce qu'on avait connu jadis - quelque part - bien loin - dans une autre existence peut-être."

Although Heart of Darkness was one of the first literary texts to provide a critical view of European imperial activities, it was initially read by critics as anything but controversial. While the book was generally admired, it was typically seen either as a condemnation of a certain type of adventurer who could easily take advantage of imperialism’s opportunities, or else as a sentimental novel reinforcing domestic values: Kurtz’s Intended, who appears at the novella’s conclusion, was roundly praised by turn-of-the-century reviewers for her maturity and sentimental appeal. A classic.

This work set the style for a whole class of literature, a work that the critic Morton Dauwen Zabel calls an example of Conrad's "central theme...the grip of circumstances that enforce self-discovery and its cognate, the discovery of reality and truth...." It is a novel about a man's lifelong efforts to atone for an act of instinctive cowardice.

Jim, the first mate aboard a small steamer named the Patna, travels from port to port in the Pacific Ocean. When the ship hits floating wreckage, Jim and the crew are forced to abandon it, leaving hundreds of ethnic travelers onboard. However, Jim's reprehensible actions are soon discovered by the court, and he is compelled to face his guilt and redeem himself - a journey that leads him to a remote exotic location where he is revered as the Lord, "Tuan Jim".

"J'ai tenté avec un respect presque filial de rendre la vibration vitale du vaste monde des eaux, du coeur des hommes simples qui, depuis des siècles, traverses ses solitudes." Ainsi s'exprime Conrad à propos de son récit. Mais "Typhon" n'est pas que la relation d'une épreuve maritime.

Secret agent Mr. Adolph Verloc operates from a seedy Soho shop, where he deals in pornography and espionage. Idle, treacherous, and self-righteous, he makes the life of his wife, Winnie, one of silent misery. When Verloc is assigned to plant a bomb at Greenwich Observatory, his plans go terribly awry, and his family has to deal with the tragic repercussions of his actions. Joseph Conrad's dark satire on English society, while rooted in the Edwardian period, remains strikingly contemporary.

Written at the start of the Great War, when his son Borys was at the Western Front, The Shadow-Line is Conrad's supreme effort to open man's eyes to the meaning of war through the stimulus of art. In many ways an autobiographical narrative, this masterpiece of his final period relates the story of a young and inexperienced sea captain whose first command finds him with a ship becalmed in tropical seas and a crew smitten with fever.

Lord Jim tells the story of a young, idealistic Englishman---"as unflinching as a hero in a book"---who is disgraced by a single act of cowardice while serving as an officer on the Patna, a merchant-ship sailing from an eastern port. His life is ruined: an isolated scandal has assumed horrifying proportions. But then he is befriended by an older man named Marlow....

Joseph Conrad's Heart of Darkness tells a story based on Conrad's own experiences in the Congo Free State during the 1890s. Set in Africa, the main character, Marlow, is asked to find and bring back the ivory trader, Mr. Kurtz. However, the deeper Marlow travels, the more ominous and depressing his surroundings become.

Un giovane capitano al suo primo incarico come comandante di una nave.

In these two magnificent novellas Conrad explores the question of self-discovery through powerful and exciting narratives: in Youth, the experienced seaman Marlow tells the story of a young man's coming of age on his first voyage to the East, while in Heart of Darkness he describes with terrifying depth and vividness the slide into corruption of an idealistic trader.

One of the greatest political novels in any language, Nostromo reenacts the establishment of modern capitalism in a remote South American province locked between the Andes and the Pacific. In Sulaco, a harbor town in the imaginary South American republic of Costaguana, a vivid cast of characters is caught up in a civil war to decide whether its fabulously wealthy silver can be preserved from the hands of venal politicians.

Four classic stories by Joseph Conrad, of the sea and those who live by the sea: First, phlegmatic and unimaginative Captain MacWhirr pits his ship and his own indomitable will against the fury of a tropical typhoon. Then, tender-hearted country girl Amy Foster takes pity upon a shunned and bewildered foreign castaway; and a young sea captain becomes embroiled in the courtship of tugboat captain Falk, a man haunted by an incident in his past.

Each of the stories in this collection is spun from a simple, if typically wry and bleak, idea. In "Gaspar Ruiz", a South American general who has fought in a war of independence tells his guests a long tale about a notorious strong man that explains the origin of his current domestic arrangements. "The Informer" leads the reader into the depths of a political conspiracy, dealing very slyly indeed with questions of truth and pretence.

Under Western Eyes, Conrad's novel of political treachery and oppression, begins with a bomb that kills a hated Russian minister of police along with innocent bystanders. A young student named Razumov hides the perpetrator, then betrays him and becomes a spy among his exiled comrades. He faces a moral dilemma from which there is no escape. This masterwork, published six years before the Russian Revolution, is a chillingly accurate prophecy of what was to come.