• Sandra Harding

  • Jun 21 2024
  • Durée : 51 min
  • Podcast

  • Résumé

  • “Standpoint isn’t magic ... it’s a matter of practice.”

    In this first episode we talk to Sandra Harding, Distinguished Professor Emerita of Education, and Gender Studies (UCLA), and her daughter, Emily Harding-Morick, about the very beginnings of standpoint theory. Sandra Harding recounts how she and her long-time friend and colleague, political theorist Nancy Hartsock, started a political discussion group in the 1970s in Baltimore inspired by their Marxist and feminist commitments. Their pivotal early publications on standpoint theory arose from these discussions including, for example, Nancy’s “The Feminist Standpoint: Developing the Ground for a Specifically Feminist Historical Materialism” (1983) and Sandra’s Science Question in Feminism (1986). We talk with Sandra about consciousness-raising groups in the 70s, how she “learned to think about race” in the decades that followed, and her thinking about lesbian standpoints and queer research in the 90s. She describes how she moved from "theorizing to doing” standpoint, and explains why Tapuya, the interdisciplinary journal of Latin Science, Technology and Society, is such an important intervention.


    Works discussed TBD.

    Edited by Karoline Paier, Alex Bryant

    Mixed by Lilith Charlet

    Illustrations by Rachel Cripps

    Music by The Years from the Free Music Archive licensed under an Attribution-Noncommercial-Share Alike 3.0 United States License.

    Afficher plus Afficher moins
Les membres Amazon Prime bénéficient automatiquement de 2 livres audio offerts chez Audible.

Vous êtes membre Amazon Prime ?

Bénéficiez automatiquement de 2 livres audio offerts.
Bonne écoute !

    Ce que les auditeurs disent de Sandra Harding

    Moyenne des évaluations utilisateurs. Seuls les utilisateurs ayant écouté le titre peuvent laisser une évaluation.

    Commentaires - Veuillez sélectionner les onglets ci-dessous pour changer la provenance des commentaires.

    Il n'y a pas encore de critique disponible pour ce titre.