In this special episode, Sebastian Michael looks at the first 126 Sonnets in the 1609 collection and examines the principal questions they present:

- Is there a Fair Youth at all?

- If so, is this the same young man throughout, or could it be that the first 17 poems, the Procreation Sonnets, are addressed to someone else?

- And if there is a Fair Youth, who is it?

While there will most likely never be answers that can be offered with cast-iron certainty, a detailed analysis of the textual and external evidence we have does yield significant pointers and offers an idea as to where, on a scale of plausibility, we may locate them.

Sonnet 126 is the last poem in which William Shakespeare addresses his younger lover and so marks the end of the Fair Youth series in the collection first published in 1609.

The sonnet stands out for its tenderness and the gentle tone with which it reminds the young man that even he – beautiful as he is and ever youthful as he may seem – must ultimately be surrendered by nature to all-consuming time, and for the quiet resignation with which it accepts this as the universal and inescapable truth that is all our fate.
Beyond that, the poem is also formally exceptional: consisting as it does of six rhyming couplets, it isn't strictly speaking a sonnet at all, though either Shakespeare himself or somebody else has furnished it with two sets of empty brackets where a sonnet's closing couplet would normally be. And so Sonnet 126 is genuinely unique: there is none other in Shakespeare's canon like it.

Sonnet 125 is the last in this group of three which effectively concludes the series of sonnets that concern themselves with William Shakespeare's love for his young man.

Sonnet 126 also speaks to the Fair Youth directly, but it forms almost a coda, an epilogue so to speak, to the body of poems addressing their relationship.

Here, in Sonnet 125, Shakespeare once more acknowledges that what he has to offer is not status, nobility, riches, or power, but an honest love that comes from the heart: an admiration, respect, and liking for the young nobleman that is not borne out of duty or a desire to manoeuvre himself into a favoured position, but out of a genuine affection, which he senses, and expresses, he receives in return.