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Written in the summer of 1926, it was first published in Weird Tales, February 1928. It is the only story written by Lovecraft in which the extra terrestrial entity Cthulhu himself makes a major appearance. It is written in a documentary style, with three independent narratives linked together by the device of a narrator discovering notes left by a deceased relative. The narrator pieces together the whole truth and disturbing significance of the information he possesses

The dark and twisted story of Wilbur Whateley and the strange events surrounding his birth and precocious development. Wilbur matures at an abnormal rate, reaching manhood within a decade—all the while becoming indoctrinated into dark rituals and witchcraft by his grandfather.

The story follows Walter Gilman, who takes a room in the Witch House, an accursed house in Akham, Lovecraft's fictional New England town. The house once harbored Keziah Mason, a witch who disappeared mysteriously from a Salem jail in 1692. Gilman discovers that over the centuries most of its occupants have died prematurely. In his dreams while at the house, Gilman travels to the city of Elder Things and communes with the evil witch and her henchmen.

The narrator travels through the nearby decrepit seaport of Innsmouth which is suggested as a cheaper and potentially interesting next leg of his journey. There he interacts with strange people and observes disturbing events that ultimately lead to horrifying and personal revelations. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization. It references several shared elements of the Mythos, including place-names, mythical creatures and invocations.

Long acknowledged as a master of nightmarish vision, H.P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries—and their encounter with an untold menace in the ruins of a lost civilization—is a milestone of macabre literature.

The story is narrated by the scion of the Delapore family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory. On several occasions, the protagonist and his cats hear the sounds of rats scurrying behind the walls. Upon investigating further, he finds that his family maintained an underground city for centuries and that the inhabitants of the city fed on human flesh, even going so far as to raise generations of human cattle, who eventually began to de-evolve due to their sub-human living conditions.

Before throwing himself from the window of his attic, the untitled protagonist writes some notes related to his mental state. Then, he begins to recall an old story that happened in the years of the First World War: suddenly, he finds himself a prisoner of a German ship in the Pacific Ocean. After only five days, the protagonist manages to escape with a raft. Wandering for days, adrift in the sea, one afternoon he finds himself stranded on a disquieting and apparently deserted island and, from there, things only get stranger.

The story is told from the first person perspective of an unnamed narrator and details his experiences with a scientist named Crawford Tillinghast. Tillinghast creates an electronic device that emits a resonance wave, which stimulates an affected person’s pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality.

In the Vault was based on a suggestion made in August 1925 by Charles W. Smith, editor of the amateur journal Tryout, which Lovecraft recorded in a letter: 'an undertaker imprisoned in a village vault where he was removing winter coffins for spring burial, and his escape by enlarging a transom reached by the piling up of the coffins'.

An unnamed narrator pieces together the story of an area known by the locals as the "blasted heath" in the wild hills west of the fictional town of Arkham, Massachusetts. The narrator discovers that many years ago a meteorite crashed there, poisoning every living being nearby; vegetation grows large but foul tasting, animals are driven mad and deformed into grotesque shapes, and the people go insane or die one by one.

Simon Mawer's compelling and original novel puts flesh on our ancestors' bones to bring them to life and give them voice. He has created stories that are gripping and heart-breaking, from the squalor and vitality of Dickensian London to the excitement of seafaring in the last days of sail and the horror of the trenches of the Crimea. There is birth and death; there is love, both open and legal but also hidden and illicit. Yet the thread that connects these disparate figures is something that they cannot have known—the unbreakable bond of family.

A famous Hollywood director arrives in Bologna to remake a cult film and the city's renown cinema archive decides to mark the occasion with a screening of the original, only to discover it has disappeared. After English detective Daniel Leicester follows the trail of Love Upon a Razorblade to an apparent murder-suicide, he begins to suspect there may be more at stake than missing negatives—could the film contain a clue to one of the city's most enduring mysteries?

An intruder shot dead to be seen rising from the grave, an escaped psychopath with a hidden murderous intent, and a forgotten mansion lying in the midst of an ancient Norfolk marsh.

Ex-police officer Sebastian Clifford is quickly finding that life as a private investigator is never quiet. His doors have only been open a few weeks when DCI Whitney Walker approaches him to investigate the brutal attack that left her older brother, Rob, with irreversible brain damage. For nearly twenty-five years, Rob had no memory of that night, but lately things are coming back to him. Whitney's worried that her brother might–once again–be in danger.

Mikhail Khodorkovsky has seen behind the mask of Vladimir Putin. Once an oil tycoon and the richest man in Russia, Khodorkovsky spoke out against the corruption of Putin's regime—and was punished by the Kremlin, stripped of his entire wealth and jailed for more than 10 years. Now freed, working as a pro-democracy campaigner in enforced exile, Khodorkovsky brings us the insider's battle to save his country's soul. Offering an urgent analysis of what has gone wrong with Putin, The Russia Conundrum maps the country's rise and fall against Khodorkovsky's own journey.

The Great War is over, and Major Arthur Bridgehead is finally going home, but why does the British Empire's most decorated war hero feel so dejected? Is it because of the horrors he witnessed, the men needlessly slaughtered, the pointless loss of life for so little gain? Noblesse oblige would appear to be his Lordship’s fate, but if Arthur thinks that involves little more than falling asleep on the backbenches while his fellow parliamentarians decide the empire's future, a certain sub-atomic-particle-hopping professor is about to make our hero an offer he can’t refuse.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

'The Pit and the Pendulum', one of Poe's most well-renowned short stories, is centred around the torments endured by a prisoner of the Spanish Inquisition. The narrator of the story describes his experience of being tortured. The story is especially effective at inspiring fear in the listener because of its heavy focus on the senses, such as sound, emphasising its reality, unlike many of Poe's stories, which are aided by the supernatural.

The tale of murder and terror, told by a nameless homicidal madman, influenced later stream-of-consciousness fiction and helped secure the author’s reputation as master of the macabre. The narrator relates with relish his murder and dismemberment of an old man. Poe’s revelation of the narrator’s madness is a classic study in psychopathology.

A young, scientifically minded college professor finds an old bronze whistle while exploring the ruins of a Knights Templars' preceptory. That night, he blows on the whistle and a vision comes to him of a dark expanse with a lonely figure in its midst. The sound also appears to call up a gust of wind, but the sensible professor dismisses it as a coincidence. More strange incidents follow, however, to shake his disbelief in the supernatural.