Résultats Éditeur "Audible Studios" dans Auteurs

En 1845, Henry David Thoreau part vivre dans une cabane construite de ses propres mains, au bord de l'étang de Walden, dans le Massachusetts. Là, au fond des bois, il mène pendant deux ans une vie frugale et autarcique, qui lui laisse tout le loisir de méditer sur le sens de l'existence, la société et le rapport des êtres humains à la Nature. Une réflexion sereine qui montre qu'il faut s'abstraire du monde et de ses désirs pour devenir réellement soi-même.

Au début des années soixante, Thompson, alors journaliste à San Francisco, est fasciné par les Hell's Angels. Son article sur ces seigneurs de la route fait sensation, il se lance dans la version longue : un an passé à rouler et à écrire à leurs côtés. Mais l'équipée se termine sauvagement : parce qu'il refuse de partager ses royalties, les Angels abandonnent l'homme de lettres sur une route, à moitié mort et le crâne défoncé à coups de pierres.

Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.

De la amplia obra de Stefan Zweig, celebrada por generaciones de lectores alrededor del mundo, quizá sus biografías son las que mejor dan muestra de la destreza del escritor para el retrato, de su agudeza psicológica y de la profunda comprensión del alma humana.

This is a biography of James Baldwin, author, one-time preacher, and civil rights activist. He chose David Leeming, a close friend and colleague, to write his biography and granted him access to his correspondence. Leeming traces his life from his birth in Harlem in 1924 to his self-imposed exile in Europe, his later years as political activist, and his public funeral in 1987.

In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo, one of our leading Native American voices, details her journey to becoming a poet. Born in Oklahoma, Harjo grew up learning to dodge an abusive stepfather by finding shelter in her imagination, a deep spiritual life, and connection with the natural world. She attended an Indian arts boarding school, where she nourished an appreciation for painting, music, and poetry; gave birth while still a teenager; and struggled on her own as a single mother, eventually finding her poetic voice.

Delmore Schwartz: The Life of an American Poet is based on interviews, letters, and an extraordinary collection of unpublished papers that had never before been examined. Delmore Schwartz was only 24 in 1938 when his first book, In Dreams Begin Responsibilities, was published. He received praise from T. S. Eliot, Ezra Pound, Allen Tate, John Crowe Ransom, Wallace Stevens, and William Carlos Williams.

Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. 

When Jeanette Winterson left home at 16 because she was in love with a woman, Mrs. Winterson asked her: "Why be happy when you could be normal?" This book is the story of a life's work to find happiness. It is the story of how the painful past returned to haunt Jeanette's later life, and send her on a journey into madness and out again, in search of her real mother. It is also a book about other people's stories, showing how fiction and poetry can form a string of guiding lights, a life raft which supports us when we are sinking.

In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India", Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

Le récit de sa propre vie est peut-être le plus beau texte qu'ait jamais écrit Gabrielle Roy (1909-1983). Vibrant, lumineux et émouvant, il porte l'empreinte de cette grande écrivaine à la personnalité forte, attachante, sensible, pleine de vitalité. L'auteure de Bonheur d'occasion y retrace ce qu'on pourrait appeler ses années de formation: sa jeunesse dans la petite communauté francophone de Saint-Boniface au Manitoba, son métier d'institutrice, ses longs séjours en Europe, puis son établissement à Montréal.

A haunting meditation on love, loss, companionship, and finding one’s way through the dark, Raymond Carver’s What We Talk About When We Talk About Love is one of the most important and influential short story collections in contemporary literature. In his entry in the esteemed Bookmarked series, acclaimed author Brian Evenson offers his personal and literary take on this classic Carver collection.

Sylvia Plath is an object of enduring cultural fascination―the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne―a superfan and scholar―radically reimagines the last years of Plath’s life, confronts her suicide and the construction of her legacy.

A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit's own life to explore issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery.

In The Lives of Michel Foucault, David Macey quotes the iconic French philosopher as speaking “nostalgically...of 'an unforgettable evening on LSD, in carefully prepared doses, in the desert night, with delicious music, [and] nice people'". This came to pass in 1975, when Foucault spent Memorial Day weekend in Southern California at the invitation of Simeon Wade - ostensibly to guest-lecture at the Claremont Graduate School where Wade was an assistant professor, but in truth to explore what he called the Valley of Death.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other?

With insight, humor, formal invention, and lyricism, in A Man of Two Faces Viet Thanh Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son.

Martes con mi viejo profesor Considerado por The Washington Post como la obra de memorias más vendida de la historia, Martes con mi viejo profesor narra la experiencia vivida por Mitch Albom con Morrie Schwartz, uno de sus profesores de la universidad, al que vuelve a ver por casualidad muchos años después en una entrevista en televisión. Ahí se entera de que su viejo profesor sufre ELA, una enfermedad degenerativa. Albom entra de nuevo en contacto con él y le propone que se vean todos los martes.

"I intend to do everything...I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly...everything matters!" This first selection from Susan Sontag's diaries (from 1947-1963) takes us from early adolescence through to when Sontag was in her early 30s. It is an astonishingly affecting and honest self-portrait which is also a fascinating, revealing account of an artist and critic being born. We see Sontag honing her skills and fashioning herself, by a supreme act of will, into an intellectual force.