Days of Obligation
An Argument with My Mexican Father
Impossible d'ajouter des articles
Désolé, nous ne sommes pas en mesure d'ajouter l'article car votre panier est déjà plein.
Veuillez réessayer plus tard
Veuillez réessayer plus tard
Échec de l’élimination de la liste d'envies.
Veuillez réessayer plus tard
Impossible de suivre le podcast
Impossible de ne plus suivre le podcast
Écoutez en illimité un large choix de livres audio, créations & podcasts Audible Original et histoires pour enfants.
Recevez 1 crédit audio par mois à échanger contre le titre de votre choix - ce titre vous appartient.
Gratuit avec l'offre d'essai, ensuite 9,95 €/mois. Possibilité de résilier l'abonnement chaque mois.
Acheter pour 10,66 €
-
Lu par :
-
Michael Anthony
-
De :
-
Richard Rodriguez
À propos de ce contenu audio
The book's "argument" poses Mexico and the United States as moral rivals. Mexico wears the mask of tragedy, the United States wears the mask of comedy. By the end of the book, the reader recognizes an historical irony: the United States is becoming a culture of tragedy; Mexico, meanwhile, revels in youthful optimism. Mexico and the United States have changed roles.
©1992 Richard Rodriguez (P)1994 Blackstone Audio Inc.
Vous êtes membre Amazon Prime ?
Bénéficiez automatiquement de 2 livres audio offerts.Bonne écoute !
Commentaires
"Luminous....[Rodriguez's] insights, irony and descriptions make the writing richly evocative." (Publishers Weekly)
"Days of Obligation looks into America, north and south of the Rio Grande, as penetratingly and eloquently as Camus did when he compared the mental landscapes of France and Algiers." (Los Angeles Times Book Review)
"The best American essayist as far as I'm concerned....[Rodriguez] doesn't kowtow to political correctness. He shuns the pack, rides alone. He writes a lonely line of individualism, the grandeur and grief of the American soul." (Village Voice)
"Days of Obligation looks into America, north and south of the Rio Grande, as penetratingly and eloquently as Camus did when he compared the mental landscapes of France and Algiers." (Los Angeles Times Book Review)
"The best American essayist as far as I'm concerned....[Rodriguez] doesn't kowtow to political correctness. He shuns the pack, rides alone. He writes a lonely line of individualism, the grandeur and grief of the American soul." (Village Voice)
Aucun commentaire pour le moment