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Par ce seul livre posthume, John Kennedy Toole gagna une place à part, et une des premières, dans la littérature américaine contemporaine : il reçut le prix Pulitzer en 1981 pour ce roman tumultueux - gargantuesque tragicomédie située dans l'ambiance grouillante des bas quartiers de La Nouvelle-Orléans.

A monument to sloth, rant and contempt, a behemoth of fat, flatulence and furious suspicion of anything modern—this is Ignatius J. Reilly of New Orleans, noble crusader against a world of dunces. The ordinary folk of New Orleans seem to think he is unhinged. Ignatius ignores them, heaving his vast bulk through the city's fleshpots in a noble crusade against vice, modernity and ignorance. But his momma has a nasty surprise in store for him: Ignatius must get a job. Undaunted, he uses his new-found employment to further his mission.

El protagonista de esta novela es uno de los personajes más memorables de la literatura norteamericana: Ignatius Reilly –una mezcla de Oliver Hardy delirante, Don Quijote adiposo y Tomás de Aquino perverso, reunidos en una persona–, que a los treinta años aún vive con su estrafalaria madre, ocupado en escribir una extensa y demoledora denuncia contra nuestro siglo, tan carente de «teología y geometría» como de "decencia y buen gusto"; un alegato desquiciado contra una sociedad desquiciada.

John Kennedy Toole - who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces - wrote The Neon Bible for a literary contest at the age of 16. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, 35 years after it was written and 20 years after Toole's suicide at 31, that this amazingly accomplished and evocative novel was freed for publication.

Based on memoirs, histories, oral histories, fresh reporting, and his own knowledge of the players, the audiobook looked at the tiny hinges of history - and the extraordinary changes that would have resulted if they had gone another way. Now he presents his most compelling narrative of all about the historical event that has riveted us for fifty years. What if Kennedy were not killed that fateful day? What would the 1964 campaign have looked like? Would changes have been made to the ticket?

The saga of John Kennedy Toole is one of the greatest stories of American literary history. In Butterfly in the Typewriter, Cory MacLauchlin draws on scores of new interviews with friends, family, and colleagues as well as full access to the extensive Toole archive at Tulane University, capturing his upbringing in New Orleans, his years in New York City, his frenzy of writing in Puerto Rico, his return to his beloved city, and his descent into paranoia and depression.